Visualizzazione post con etichetta Danish Art. Mostra tutti i post
Visualizzazione post con etichetta Danish Art. Mostra tutti i post
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Eberhard Keil (1624-1687) | Pupil of Rembrandt

Eberhard Keil or Keyl dit Monsù Bernardo was a Danish Baroque painter🎨 who became a pupil of Rembrandt🎨. Keil was born in Helsingør.
According to the RKD he was a pupil of the Danish painter🎨 Morten Steenwinkel, who became a pupil of Rembrandt in Amsterdam in the years 1642-1644.

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Camille Pissarro | Le Marché de Gisors, Grande-Rue, 1885

On Monday mornings, Camille Pissarro often joined his wife Julie and a couple of their children, with some household helpers, for the two-and-a-half-mile excursion from their home in Éragny to attend market day in Gisors, a town of about four thousand inhabitants further down the Epte River.
While Julie stocked up on produce and provisions for the coming week, Pissarro sketched the many people from Gisors and nearby villages who gathered among the stalls set up on the Grand-Rue (today the rue de Vienne) near the town hall, as they engaged in selling, buying, or bartering, exchanging news, and socializing during this all-important, weekly communal event.

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Camille Pissarro | Jeanne Holding a fan, 1873

Title: Jeanne Pissarro (Minette) holding a Fan;
Artist/maker: Camille Pissarro (1830-1903)🎨;
Associated place: Europe (place of creation);
Date: c. 1873;
Material and technique: oil on canvas;
Dimensions: 56 x 46 cm (height x width) - frame 71 x 61.5 x 9.5 cm (height x width x depth);
Museum location: Ashmolean Museum, Oxford, UK.

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Peter Mork Monsted (1859-1941)

Danish painter Peder Mørk Mønsted was born in Balle Mölle, near Grenna in eastern Denmark on 10th December 1859.
He studied at the Prince Ferdinand’s Drawing School, Aarhus where he studied under Andries Fritz (1828-1906), a landscape and portrait painter, before moving to Copenhagen.
Here he studied at the Royal Academy of Art between 1875-1878, and was taught figure painting by Julius Exner (1825-1910).

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Camille Pissarro | Femme lavant du linge, avec enfant, 1898

Artist: Camille Pissarro🎨 (Danish/French, 1830-1903);
Title: Femme lavant du linge, avec enfant , ca. 1898;
Medium: Gouache on silk laid down on card;
Size: 17.5 x 13.7 cm. (6.9 x 5.4 in.);
Museum location: Christie's.

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Jens Ferdinand Willumsen | Symbolist / Expressionist painter

Jens Ferdinand Willumsen (7 September 1863 - 4 April 1958) was a Danish painter, sculptor, graphic artist, architect and photographer. He became associated with the movements of Symbolism🎨 and Expressionism.
J. F. Willumsen was born in Copenhagen, Denmark. He was the son of Hans Willumsen and Ane Kirstine. He was initially trained in art at the Royal Danish Academy of Fine Arts from 1881-1885 and in architecture at the Copenhagen Technical College from 1879-1882. He completed his education in 1885 with the artists P.S. Krøyer🎨 (1851-1909) and Laurits Tuxen (1853-1927).
His works were exhibited in the Paris Salon, the Société Nationale des Beaux-Arts, the Société des Artistes Indépendants, the art gallery of Le Barc de Boutteville and at the Exposition Universelle (1900).

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Johan-Laurents Jensen (1800-1856)

Johan Laurentz Jensen, spesso indicato come JL Jensen (8 marzo 1800 - 26 marzo 1856), è stato un artista Danese specializzato in pittura floreale.

Vita e formazione

Parallelamente ai suoi studi all'Accademia danese, divenne allievo di Christoffer Wilhelm Eckersberg e anche di Cladius Detlev Fritzsch.
Specializzato in pittura floreale, Jensen ha continuato la sua formazione a Parigi sotto i fratelli fiamminghi, Gérard e Cornelis van Spaendonck, e presso la fabbrica di porcellane di Sèvres, dove ha appreso l'arte della pittura floreale in miniatura.

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Carl Vilhelm Holsøe (1863-1935) | 121 artworks | Part.²

Carl Vilhelm Holsøe (Aarhus, 12 March 1863 - Asserbo, 7 November 1935)⏯ was a Danish artist who primarily painted interiors.
olsøe's paintings include landscapes, still lifes and flowers, but like Hammershøi he primarily painted domestic interior scenes; they undoubtedly influenced each other, but it is impossible to know who first gravitated towards this subject. It was in general increasingly popular among Danish painters as the country became more industrial, with implications of refuge and restoration from professional life and the city.