Dante Gabriel Rossetti | Roman Widow, 1874

Roman Widow or Dîs Manibus is an oil on canvas painting executed in 1874 by the English Pre-Raphaelite artist Dante Gabriel Rossetti.

It is in the collection of the Museo de Arte de Ponce in Puerto Rico.

It depicts a young Roman widow, modelled by Alexa Wilding, sitting in a sepulchre by her late husband's cinerary urn, around which is wound her bridal girdle.

She is dressed in classical mourning drapery and playing an elegy on two small harps, one with each hand.

Pink roses, the flowers of Venus and symbolic of love, wreath both the harp and the urn.

6 artworks to look out for at Tate Britain

Tate è un gruppo di gallerie d'arte con sede a Londra, Liverpool e Cornovaglia, note come Tate Modern, Tate Britain, Tate St Ives e Tate Liverpool + RIBA North.

Quando la Tate aprì per la prima volta le sue porte al pubblico nel 1897, aveva una sola sede, che esponeva una piccola collezione di opere d'arte britanniche.

Oggi dispone di quattro sedi principali e della collezione nazionale di arte britannica dal 1500 ad oggi e di arte moderna e contemporanea internazionale, che comprende circa 70.000 opere d'arte.

Sir John Everett Millais | Mariana, 1851 | Tate Collection

This painting by British painter John Everett Millais (1829-1896) is of Mariana, a character from Shakespeare’s play Measure for Measure.

The story goes that Mariana’s fiancé Angelo leaves after her family’s money is lost in a shipwreck.

Still in love with him, she hopes they will be reunited.

Millais shows Mariana pausing to stretch her back after working at some embroidery, with the autumn leaves scattered on the ground marking the passage of time.

The stained-glass windows in front of her show the Annunciation, contrasting the Virgin's fulfilment with Mariana's frustration and longing.

Sir John Everett Millais | Mariana, 1851 | Tate Collection

Walter Crane | Precursor of Art Nouveau

Walter Crane (1845-1915) was an English artist and book illustrator.

Together with William Morris, Walter Crane was a leader in the Art Nouveau and the Arts and Crafts artistic movements

.

Walter Crane is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the later 19th century.

Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come.

Amore non è amore se muta.. | Shakespeare, Sonetto 116

Shakespeare | Let me not to the marriage of true minds | Sonnet 116

Let me not to the marriage of true minds

Admit impediments. Love is not love

Which alters when it alteration finds,

Or bends with the remover to remove:

O no! it is an ever-fixed mark

That looks on tempests and is never shaken;

Alessandro Puttinati | Paolo e Virginia, 1844

Lord Alfred Douglas | Due amori / Two Loves, 1894

Sognai di stare su un piccolo colle

e un piano ai miei piedi s’apriva simile

a vasto giardino che a suo talento fioriva

di fiori e boccioli. V’erano stagni sognanti

placidi e cupi, e candidi gigli,

sparuti, e crochi, e violette

purpuree e pallide, fritillarie sinuose,

rade presenze fra l’erba in rigoglio, e tra le verdi maglie

occhi blu di vergognose pervinche brillanti nel sole.

Fabian Perez

Jane Crowther, 1962

Originally from York (UK), Jane Crowther studied Illustration BA(Hons) at Kingston Polytechnic.

In the early 1990’s, whilst based in North London, Jane designed a small range of greeting cards to supplement her meagre income as an artist, initially selling them at craft fairs alongside her large multi-media paintings.

The cards started to sell really well and Jane made the commercial decision to concentrate on her card designs.

Molly Brett | Writer / Children's book illustrator

Molly Brett (1902–1990) was an English illustrator and writer of children's literature, best known for her anthropomorphic artwork.

Molly (Mary Elizabeth) Brett grew up in the English county of Surrey, surrounded by animals and nature.

Her mother, Mary Gould Brett, was a respected animal painter who encouraged her daughter to paint from life, and this is reflected in Molly's gift for making her animals look thoroughly naturalistic while giving them human characteristics and activities.

Charles Dickens: "Love is not a feeling to pass away"

Charles John Huffam Dickens (1812-1870) was an English novelist, journalist, short story writer and social critic.

He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era.

His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius.

His novels and short stories are widely read today.

Charles Dickens | Love is not a feeling to pass away

Love is not a feeling to pass away,

Like the balmy breath of a summer day;

It is not - it cannot be - laid aside;

It is not a thing to forget or hide.

William Powell Frith | The Two Central Figures in "Derby Day" | The Metropolitan Museum of Art

Christopher Marlowe | Vieni a vivere con me e sii il mio amore / The passionate shepherd to his Love, 1599

"The Passionate Shepherd to His Love" (1599), by Christopher Marlowe (English playwright, poet, and translator of the Elizabethan era, 1564-1593), is a pastoral poem from the English Renaissance (1485–1603).

Marlowe composed the poem in iambic tetrameter (four feet of one unstressed syllable followed by one stressed syllable) in six stanzas, and each stanza is composed of two rhyming couplets; thus the first line of the poem reads: "Come live with me and be my love".

Come live with me, and be my love;

And we will all the pleasures prove

That hills and valleys, dales and fields,

Woods, or steepy mountains yields.

Walter Crane | The Passionate Shepherd to his Love illustration

William Blake | A Poison Tree / Un albero avvelenato

I was angry with my friend;

I told my wrath, my wrath did end.

I was angry with my foe:

I told it not, my wrath did grow.

And I waterd it in fears,

Night and morning with my tears:

And I sunned it with smiles,

And with soft deceitful wiles.

William Blake | Songs of Experience: A Poison Tree, 1794 | Metropolitan Museum of Art

Robert Kemm | Admiring the painting, 1880

Robert Kemm (1837-1895) was a British painter.

He was considered a Romantic painter of genre scenes, especially Andalusia landscapes and figures.

This artwork called "Admiring the painting" was painted in oil and is a highly staged piece of work.

The room setting could easily be the artists studio, with the easel, palette and assortment of props.

Joseph Wright of Derby | A view of Vesuvius from Posillipo, Naples

From: Art Gallery of South Australia

Joseph Wright (1734-1797) began his career as one of Britain foremost portrait painters, but, following a visit to Italy between 1773 and 1775, he turned his gaze to landscape painting, becoming recognised for his deep understanding and exploration of light.

Wright visited the Bay of Naples in 1774, finding its awe-inspiring view of Mount Vesuvius particularly moving.

John Gulich | A Violin Concerto, 1898

John Percival Gülich (also Gulich) (1864-1898) was a British illustrator, engraver and artist.

Gülich was born in Wimbledon in 1864, the son of Hermann Gülich, a London merchant of German origin, and Eleanor. He was educated at Charterhouse School.

He lived in Bremen for five years, working in his father's office.

He became Art Editor of the illustrated newspapers The Pictorial World and The Graphic, and also contributed to Harper's Magazine.

John Gulich | A Violin Concerto, 1898 | Tate

Meteyard / Tennyson | The Lady of Shalott

Sidney Harold Meteyard RBSA (1868-1947) was an English art teacher, painter and stained-glass designer.

A member of the Birmingham Group, he worked in a late Pre-Raphaelite style heavily influenced by Edward Burne-Jones and the Arts and Crafts Movement.

His best-known painting - I am half sick of shadows, said the Lady of Shalott (1913), based on the poem The Lady of Shalott (1832) by Lord Alfred Tennyson (1809-1892) - is in the collection of Birmingham Museum and Art Gallery.

In this piece The Lady of Shalott is at her tapestry with a wedding couple reflected in her mirror.

Sidney Harold Meteyard (1868-1947) | I am Half-Sick of Shadows - Said the Lady of Shalott, 1913

Richard Westall | The Reconciliation of Helen and Paris.., 1805

Richard Westall RA (1765-1836) was an English painter and illustrator of portraits, historical and literary events, best known for his portraits of Byron.

He was also Queen Victoria's drawing master.

Westall was the more successful of two half-brothers (both sons of a Benjamin Westall, from Norwich) who both became painters.

His younger half-brother was William Westall (1781-1850), a much-travelled landscape painter.

Richard Westall | The Reconciliation of Helen and Paris after his Defeat by Menelaus, 1805

Ellen Montalba | Dreams

Ellen Emeline Montalba (1842-1912) was a British artist. She was born in Bath, England, one of four daughters of the Swedish-born artist Anthony Rubens Montalba and Emeline.

She and her three sisters all attained high repute as artists.

The 1871 British census shows Anthony Montalba living at 19 Arundel Gardens, Notting Hill, in London, with four daughters, all artists.

The Montalba sisters were regular contributors to the Royal Academy Summer Exhibition during the 1870s.

Beryl Cook | Naïve painter

Beryl Cook, OBE (1926-2008) was a British artist best known for her original and instantly recognisable paintings.

Often comical, her works pictured people whom she encountered in everyday life, including people enjoying themselves in pubs, girls shopping or out on a hen night, drag queen shows or a family picnicking by the seaside or abroad.

Wilfrid de Glehn RA (1870-1951)

Wilfrid Gabriel de Glehn RA è stato un pittore impressionista Britannico, eletto alla Royal Academy nel 1932.

Il padre di De Glehn era Alexander de Glenn di Sydenham, Londra, lui stesso figlio di Robert von Glehn, un barone baltico con proprietà vicino a Tallinn in Estonia, che era diventato un suddito britannico naturalizzato in seguito al suo matrimonio con una donna scozzese.

Alfred Elmore | Victorian painter

Alfred Elmore RA (1815-1881) was a British history and genre painter.

Alfred Elmore was born in Clonakilty, Ireland, the son of John Richard Elmore, a surgeon who retired from the British Army to Clonakilty.

His family moved to London, where Elmore studied at the Royal Academy of Arts.

His early works were in the troubadour style of Richard Parkes Bonington, but he soon graduated to religious work, notably The Martyrdom of Thomas à Becket, commissioned by Daniel O'Connell for Westland Row Church in Dublin.

Lucy Grossmith, 1972

Lucy Grossmith (Case) was born at Horncastle, Lincolnshire.

Always surrounded and inspired by nature, she sketches and makes mental notes whilst out and about.

These become ingredients for her work when back in her studio at the bottom of her garden.

She loves to paint wild birds and animals, countryside and coastal scenery along with gardens and old buildings.