28/02/12

Bill Mack | Minneapolis | American relief sculptor

The impact of Bill Mack's art is achieved not only by his dramatic portrayal of the human form, but also by the utilization of a wide variety of materials with which to execute his artistic vision. The final work emerges as a classic example of the interplay of form and materials. For over 35 years, Bill Mack has created sculpture in relief and in the round for government, corporate and private collections. His art hangs in galleries in four continents and he has had exhibits in Tokyo, England, France and Germany. In reference to his interest in relief sculpture, Mack states, A lot of sculptors have no reason to do it and they just don't develop in that direction. I've had to actually re-work pieces by some teachers of sculpture and some sculptors of note who do all their work in the round and for one reason or another, have difficulty doing something in relief. It's not like I'm tooting my own horn, but I know there's no one in the United States, or in the world, for that matter, who can technically do a relief portrait better than I can.





























27/02/12

Auguste Rodin 1840-1917 | Romantic and Realistic french sculptor

Auguste Rodin's realist works created a new era in sculpture. Known as Auguste Rodin, François-Auguste-René Rodin, was a romantic and realistic french sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art. Sculpturally, Rodin possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay. Many of his most notable sculptures were roundly criticized during his lifetime. They clashed with the predominant figure sculpture tradition, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality. Rodin was sensitive to the controversy surrounding his work, but refused to change his style. Successive works brought increasing favor from the government and the artistic community. From the unexpected realism of his first major figure, inspired by his 1875 trip to Italy, to the unconventional memorials whose commissions he later sought, Rodin's reputation grew, such that he became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. He married his life-long companion, Rose Beuret, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, but within a few decades, his legacy solidified. Rodin remains one of the few sculptors widely known outside the visual arts community.