Visualizzazione post con etichetta 18th Century Art. Mostra tutti i post
Visualizzazione post con etichetta 18th Century Art. Mostra tutti i post
Textual description of firstImageUrl

Sir Thomas Lawrence | Julia, Lady Peel, 1827 | Frick Collection


Julia Floyd (1795-1859) was married in 1820 to the British statesman Sir Robert Peel, who twice served as Prime Minister and was an avid patron of Lawrence.
The Frick portrait apparently was inspired by Rubens’ painting of Susanna Fourment🎨 known as the "Chapeau de paille", which Peel had acquired in 1823.

Textual description of firstImageUrl

Abraham Pether (1756-1812)


Abraham Pether was an English🎨 landscape painter, recognised for his skill in depicting moonlit scenes.
He was also a talented musician, inventor, mathematician and philosopher.
He painted river and mountain scenery, with classical buildings, in a pleasing though artificial style, somewhat resembling that of Richard Wilson; but his reputation rests on his moonlight subjects, which attracted much admiration, and earned for him the sobriquet of "Moonlight" Pether.

Textual description of firstImageUrl

William Turner | Mount Vesuvius in Eruption, 1817


Joseph Mallord William Turner’s dramatic representation of Mount Vesuvius is one of numerous artistic iterations of erupting volcanoes from the late eighteenth to the early nineteenth century.
Turner visited Naples and ascended Vesuvius in 1819; however, he never witnessed an eruption firsthand and this composition likely preceded his Italian sojourn.

Textual description of firstImageUrl

Wilhelm Tischbein | Goethe in the Roman Campagna, 1787


Title: Goethe🎨 in the Roman Campagna;
Author: Johann Heinrich Wilhelm Tischbein (German🎨 Neoclassical painter, 1751-1829);
Date: 1787;
Dimensions: 164.0 x 206.0 cm;
Medium: Oil on canvas;
Current location: Städel Museum, Frankfurt;
Acquisition: Acquired in 1887 as a gift by Baroness Adèle von Rothschild;
Status: On display, 1st upper level, Modern Art.

"This will make a beautiful painting. Alas, it will be too big for our Nordic housings", Goethe remarked on this life-size portrait in 1786 in Rome.

Textual description of firstImageUrl

Gaetano Gandolfi (1734-1802) | Drawings


Gaetano Gandolfi🎨 was a painter, draughtsman, sculptor and etcher of the late Baroque and early Neoclassic period, active in Bologna, part of an Italian family of artists.
As a student at the Accademia Clementina he won two medals🎨 for sculpture and four medals for his drawings.
Throughout his life he remained actively involved in the affairs of the Accademia Clementina, where he taught a class in life drawing. He was a gifted draughtsman, and his drawings were highly prized by contemporary collectors.

Textual description of firstImageUrl

J.H.W. Tischbein | Diogenes looking for an Honest Man, 1780


"Diogenes Looking for an Honest Man" is a painting attributed to German painter Johann Heinrich Wilhelm Tischbein (1751-1829).
It depicts Diogenes of Sinope with a lantern searching for an honest man.
Diogenes of Sinope used to stroll about in full daylight with a lamp; when asked what he was doing, he would answer, "I am just looking for an honest man".

Textual description of firstImageUrl

Luca Carlevarijs (1663-1730) | Baroque Era / Veduta painter


Luca Carlevarijs or Carlevaris was an Italian painter and engraver working mainly in Venice.
He pioneered the genre of the cityscapes (vedute) of Venice, a genre that was later widely followed by artists such as Canaletto🎨 and Francesco Guardi🎨.
Carlevarijs was born in Udine. He was also known as 'Luca Casanobrio' or 'Luca di ca Zenobrio', for his patronage by the latter family.
He worked principally in Venice, where he also died. His daughter, Marianna Carlevarijs (1703-1750) learned the art of pastel portraiture from Rosalba Carriera🎨.

Textual description of firstImageUrl

Jean Raoux (1677-1734) | Rococo Era painter


Jean Raoux, French painter🎨, was born at Montpellier.
After the usual course of training he became a member of the Academy in 1717 as an historical painter.
His reputation had been previously established by the acclaimed decorations executed during his three years in Italy on the palace of Giustiniani Solini in Venice, and by some easel paintings, the Four Ages of Man (National Gallery), commissioned by the grand prior of Vendôme.