Sigismondo Coccapani | Baroque painter

Sigismondo Coccapani (1585-1643) was an Italian painter of the Baroque period.

Born in Florence, he studied under Ludovico Cigoli in Rome, before returning to his native city.

He at first studied literature and mathematics, but abandoned them for painting, becoming a pupil of Ludovico Cigoli in Rome where he assisted him on his work at Santa Maria Maggiore in 1610-13.

Using his scientific background he showed Cigoli, who was making a record of solar activity for his friend Galileo, how to observe and record sunspots through a method of projection.

Wisława Szymborska | Le donne di Rubens

Ercolesse, fauna femminile,

nude come il fragore di botti.

Fanno il nido in letti calpestati,

nel sonno la bocca si apre al chicchirichì.

Le pupille rovesciate all’indietro

Penetrano dentro le ghiandole da cui i lieviti stillano nel sangue.

Peter Paul Rubens | Frans Snyders - Ceres with two Nymphs, 1624 | Museo Nacional del Prado

Peter Paul Rubens | Mars and Rhea Silvia, 1617

Mars and Rhea Silvia is a 1617 painting by Peter Paul Rubens, now in the Liechtenstein Museum in Vienna.

It shows Mars's rape of Rhea Silvia, which resulted in the birth of Romulus and Remus, founders of Rome.

Johannes Vermeer died on this day, in 1675

Dutch Golden Age painter Johannes Vermeer (1632-1675) passed away on this day December 15th, 1675.

He was 43 years old.

Vermeer’s small oeuvre is remarkable.

It is estimated that Vermeer created around 40 to 50 paintings, which is not a big number compared to other master painters of the time.

For example, Rembrandt made around 300 paintings and Frans Hals around 200.

Johannes Vermeer | View of Houses in Delft, 1658

View of Houses in Delft / Het Straatje, known as 'The Little Street' is an unusual painting in Vermeer’s oeuvre, and remarkable for its time as a portrait of ordinary houses.

The composition is as exciting as it is balanced.

The old walls with their bricks, whitewash, and cracks are almost tangible.

The location is Vlamingstraat 40-42 in Delft.

Vermeer’s aunt Ariaentgen Claes lived in the house at the right, with her children, from around 1645 until her death in 1670. | Source: © Rijksmuseum, Amsterdam

Ludovico Carracci | The penitent Saint Peter, 1613

Although mentioned by Ludovico's earliest biographer Malvasia as early as 1678, all trace of this monumental and imposing image of repentance was lost until its rediscovery only thirty years ago.

Malvasia recorded how Ludovico had given to Count Camillo Bolognetti, a nobleman and occasional amateur painter in the Carracci workshop, 'la figura intera di quel S. Pietro piangente, così risentito e terribile'.

In a handwritten note included in the 1841 edition of his Felsina pittrice the picture is referred to as 'San Pietro piangente l'aversi negato discepolo di Cristo, figura sedente, meno del naturale'.

Jean-Baptiste Greuze | Le uova rotte, 1756

Anche se questo dipinto venne eseguito a Roma e presenta ambiente e costumi italiani, la fonte del soggetto ritratto è un quadro olandese del Seicento dell’artista Frans van Mieris il Vecchio (1635-1681), Le uova rotte (Museo dell’Ermitage, San Pietroburgo), che l'artista francese Jean-Baptiste Greuze (1725-1805) conosceva attraverso un’ incisione.

Le uova rotte simboleggiano la perdita della verginità.

Il bambino che cerca di ricomporre le uova rappresenta l’ignara innocenza dell’infanzia.

Il quadro suscitò una reazione favorevole quando fu esibito al Salon di Parigi nel 1757. | © The Metropolitan Museum of Art

Jean Baptiste Greuze | Broken Eggs, 1756 (detail) | Metropolitan Museum of Art

Louis Rolland Trinquesse | After the Soirée, 1774

Louis Rolland Trinquesse (1746-1800) was a French Rococo painter.

He was a student at the Académie Royale from 1758 to at least 1770 and worked both as a portrait painter and a Genre painter.

His portraits are usually gentle and uncomplicated likenesses painted in pastel colours, for example the Young Girl (1777; Paris, Louvre).