Sergio Lopez, 1983

Vail Oxley - Impressionist painter

Vail Oxley is a Beijing-based artist that creates impressionist style garden scenes. Oxley prefers a country ambience reminiscent of Monet's Giverny paintings. The artist's paintings are gentle themes; painted using a clear, bright palette and soft edged visual style.
Vail Oxley's work has become popular around the world. Born in the countryside near Beijing, China, Oxley was influenced from an early age by the time he spent fishing with his beloved grandfather. The tranquility of water is a dominant theme in his paintings.

James Abbott McNeill Whistler - Venezia San Marco

Alexandre Cabanel - Ophelia, 1883

Max Ernst - Paesaggio, 1935

Jacqueline Williams, 1962 - British painter

"I first met Jackie Williams when she was a student at the Royal Academy Schools in the mid eighties. Already I could see she was following her own particular vision which had nothing to do with being consciously innovative or modern. Already as a student she showed a toughness and determination to swim against the tide if necessary, for she would not be drawn along by any current of fashion.
Jackie's work is a celebration of nature, of beauty, and of light, and being celebratory she touches cords in her followers and reveals to them a world, her world, to which they can respond.

Lionel Walden - Hawaiian Fisherman, 1924

Lionel Walden - Hawaiian Fisherman, 1924
Lionel Walden - Alexander III Bridge, Paris

Lionel Walden - I Docks di Cardiff, 1894

Musée d'Orsay, Parigi

Lionel Walden (1861-1933) was an American painter active in Hawaii, Cornwall and France.
He was born in Norwich, Connecticut in 1861. He first became interested in art in Minnesota, where the family moved when his father became rector of an Episcopal Church there. As a young man, Walden moved to Paris where he studied painting with Carolus-Duran. In around 1893-97, Walden was in England, living in Falmouth. Paintings of Cardiff in Wales are in museums in Cardiff and Paris. Walden received medals from the Paris Salon and was made a Knight of the French Legion of Honor. He visited Hawaii in 1911 and several times thereafter. Walden died in Chantilly, France in 1933.

Georges Lapchine - Place Saint-Germain des Près

Claude Monet - The River Epte

Claude Monet - Camille Monet à la fenêtre, 1872

Amedeo Modigliani - Jeanne Hebuterne, 1917

Amedeo Clemente Modigliani was an Italian painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style.

Berthe Morisot - Dahlias, c.1876

Berthe Morisot was a painter and a member of the circle of painters in Paris who became known as the Impressionists.


Sir Anthony van Dyck - Family Portrait, 1621

Sir Anthony van Dyck studied under Peter Paul Rubens and was one of his most accomplished students. Van Dyck's career flourished and he went on to become England's leading court painter.
Using his own compositional techniques, van Dyck was soon ranked alongside Titian in terms of style and the relaxed elegance of his portraits helped shape English portraiture for almost two centuries. Anthony van Dyck was particularly well-known for redefining the iconographical style as well as his fresh approach to new color schemes.
As well as portraits van Dyck also painted biblical and mythological subjects and was an accomplished etcher and engraver in his own right. He would often sketch his works as practise before executing the final version onto canvas.
His etchings in particular show his great ability to define light and shadow contrasts and his dexterity in creating fine lines and detail to ensure a realistic rendering of the sitter.

Vincent van Gogh - Le pont de Trinquetaille

Frants Diderik Bøe - Norwegian Still Life painter

Odilon Redon - Butterflies, 1910

Vicente Palmaroli - Summer Days

Vicente Palmaroli González (5 September 1834 , Zarzalejo - 25 January 1896, Madrid) was a Spanish portrait and Genre painter.
He was the son of Gaetano Palmaroli, an Italian painter and lithographer, who was his first teacher. After his father's death in 1853, he took over his official position at the royal art collections. He requested leave in 1857 to go to Rome and complete his education, using some surplus money from the collection fund. While there, he joined a group of Spanish painters who met at the Antico Caffè Greco, including Luis Álvarez Catalá, Dióscoro Puebla, José Casado del Alisal, Eduardo Rosales, Benet Mercadé, Marià Fortuny and Alejo Vera. He participated in the National Exhibition in 1862 with two works he created in Italy, winning a First-Class Medal. The following year, he returned to Italy and remained until 1866.

Penleigh Boyd - Woodcutter’s Cottage

Hans Dahl (1849-1937)

Arturo Ferrari - Via San Bernardino in Milano, 1912

Arturo Ferrari (Milan, 1861-1932) was an Italian painter.
Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mosè Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877-1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.

Edouard Joseph Dantan - A Restoration, 1891

Caravaggio - The Lute Player, 1595-1596

William Bouguereau - L'Italien à la mandoline

Pierre-Auguste Renoir - The Lovers, 1875

Albert André [French Post-Impressionist painter, 1869-1954]

Albert André - The Terrace At Laudun
Albert André - Port Of Marseille, 1918

Louis de Trinquesse - After the Soirée, 1774

Louis de Trinquesse [ca.1746-1800] was a French painter. He was a student at the Académie Royale from 1758 to at least 1770 and worked both as a portrait painter and a Genre painter. His portraits are usually gentle and uncomplicated likenesses painted in pastel colours, for example the Young Girl (1777; Paris, Louvre). When dealing with older male sitters, however, his style could be grander and more sober, as in the portrait of the Abbé Gentil (1783; Bagnols-sur-Cèze, Musées Bagnols-sur-Cèze) and the Portrait of an Architect (formerly identified as Jacques-Denis Antoine; 1780; private collection), the most ambitious of Trinquesse's known works, showing the architect as if measuring a drawing.
Trinquesse's Genre paintings are in the gallant and bourgeois tradition of Frédéric Schall and Louis-Joseph Watteau de Lille, depicting scenes of love and dalliance in parks and gardens, for example the Offering to Venus (1786; Dijon, Musée des Beaux-Arts) and the Declaration of Love (1786; private collection). Such works are thoroughly artificial, with a smooth porcelain-like finish; they demonstrate the painter's enjoyment of the depiction of rich materials.
Trinquesse was well known among contemporary collectors for his very assured drawings, mostly in red chalk, many of which depict young artists at work, such as the Drawing Class (Dijon, Musée des Beaux-Arts). He failed twice to become an Academician and exhibited instead at the Salon de la Correspondance organized by Pahin de la Blancherie.

Gioia Cordovani - Portrait painter

Gioia Cordovani is an talented Italian painter born in Tanzania. Lives and works in Rome. Since the 80s and up to 2006 she worked as a fashion designer and costume designer. Cordovani like to dig souls characters, leaving the viewer task to find the source through which the inner world of the woman comes out: look, shadow, light, or any other part of her image. The artist expresses himself through mixed techniques, more often, on the basis of acrylic.

Leopold Schmutzler - La vendangeuse

Bartholomeus van der Helst - The Musician, 1662

Adolph von Menzel - Clara Schumann and Joseph Joachim in Concert, 1854

Alfred Stevens - In the Studio, 1888

Alfred Émile Léopold Stevens (1828-1906), Belgian painter, was born in Brussels on the 11th of May 1828. His father, an old officer in the service of William I, king of the Netherlands, was passionately fond of pictures, and readily allowed his son to draw in the studio of François Navex, director of the Brussels Academy. In 1844 Stevens went to Paris and worked under the instruction of Camille Roqueplan, a friend of his father's; he also attended the classes at the École des Beaux Arts, where Ingres was then professor. In 1849 he painted at Brussels his first picture, A Soldier in Trouble, and in the same year went back to Paris, where he definitely settled, and exhibited in the Salons.

Myron G. Barlow - Apples, 1914

Myron G. Barlow [1873-1937] was raised in Detroit, Michigan and remained deeply associated with that city even after he moved to France, where he lived for most of his life. His artistic career began during his teen years, when formal art training at the Detroit Museum School and at the Chicago Art Institute. He then traveled to Europe and enrolled in the Ecole des Beau-Arts, Paris in the atelier of Jean-Leon Gerome. Evidently, beginning early in his career, Barlow favored genre subjects in general, and he showed a number of these at the Pennsylvania Academy of Fine Arts, where he exhibited almost every year from 1903 to 1910. Similarly, he showed paintings at the National Academy of Design in New York in 1907 and 1916. His Parisian experience was enhanced by study at the Academie Colarossi and, in 1898, by the first of many trips to Holland. Copying paintings in the Rijksmuseum, Barlow discovered Vermeer, from whose work he derived much inspiration. Like Vermeer, one of Barlow's favorite artistic themes became the depiction of figures, often female and usually set in an interior; frequently isolated and motionless, surrounded by a dream-like atmosphere rendered in a single, dominant tonality, often blue. Certainly some of these considerations pertain to many of Barlows paintings including, "A Quiet Moment; Knitting in the Garden". The artist's sensitivity to subtle human emotion is apparent as the woman, casually strolling through the garden, is caught in a moment of thoughtful reverie. The traditional aspects of the work contrast not only with the looser, more modern brushwork that surrounds the figure but also with the very shape of the canvas itself, which is square. The isolation of this young woman and that of many of Barlow's subjects was a reflection of the artist's own life. Around 1900, he discovered the French vilage of Trepied in the Artois and moved there, living alone for many years. He transformed a peasant's house into his studio and took to posing his models against a background of poppies in the bright sunlight of his garden. By 1914, it was noted that he was one of the oldest members of the expatriate colony in Trepied.

Robert Kemm - The Artist's Model

Robert Kemm was a British painter who lived in London from 1837 until 1895. He was considered a Romantic painter of Genre scenes, especially Andalusia landscapes and figures. This artwork called "Admiring the Painting" was painted in oil and is a highly staged piece of work.
The room setting could easily be the artists studio, with the easel, palette and assortment of props. In the 19th century Orientalist themes were very popular and Robert Klemm might have used a local model and dressed her up in garments from the Orient.
Artists would often bring home souvenirs from their travels to use later as props in paintings and to add visual interest to the setting.

Alphons Spring - Violin Player, c. 1890

Constance Marie Charpentier - Melancholy, 1801

Constance Marie Charpentier (born 1767 Paris, France - 3 August 1849 France) was a French painter. She specialized in genre scenes and portraits, mainly of children and women. She was also known as Constance Marie Bondelu.
Records of Charpentier's training are unclear, but she might have studied with numerous artists. She is typically believed to have studied with the acclaimed French painter Jacques-Louis David, but may also have been a pupil of François Gérard, Pierre Bouillon, Louis Lafitte, and either Johann Georg Wille or his son, Pierre-Alexandre Wille.
In 1788 she received a 'Prix d'Encouragement'. From 1795 to 1819 she exhibited approximately thirty painting at various Salons, winning a gold medal in 1814 at the Paris Salon and a silver medal in 1821 at the Salon at Douai.
It is believed that some of Charpentier's works were incorrectly attributed to her teacher, David. The well-known painting Young Woman Drawing (1801) was incorrectly attributed first to David, then to Charpentier, and is now believed to be the work of Marie-Denise Villers. Based on surviving, positively identified works by Charpentier, she is considered one of the finest portrait painters of her era.

Andreas Achenbach - Fisher Couple on the Beach, 1910

Jean-Honoré Fragonard - A Young Scholar

Elisabeth Louise Vigee-Lebrun - Allegory of the Genius of Alexander

Paul Cezanne, "il greco della Belle Epoque"

"L'artista più attaccato, più maltrattato, da quindici anni, dalla stampa e dal pubblico, è Cézanne. Non c'è epiteto offensivo che non venga accostato al suo nome, e le sue opere hanno ottenuto un successo d'ilarità che dura ancora. Cézanne appare come un greco della belle époque; le sue tele hanno la calma, la serenità eroica dei dipinti e delle terrecotte antiche, e gli ignoranti che ridono davanti ai Bagnanti, per esempio, mi fanno l'effetto di barbari che criticano il Partenone. Cézanne è un pittore, e un grande pittore. Quelli che non hanno mai preso in mano un pennello o una matita hanno detto che non sapeva disegnare, e gli hanno rimproverato "imperfezioni" che non sono che una raffinatezza ottenuta grazie a un'enorme abilità. So bene che, nonostante tutto, Cézanne non può avere il successo dei pittori alla moda ma la sua pittura ha l'inesprimibile fascino dell'antichità biblica e greca, i movimenti dei personaggi sono semplici e grandi come nelle sculture antiche, i paesaggi hanno una maestà imponente, e le sue nature morte così belle, così esatte nei rapporti tonali, hanno, nella loro verità, qualcosa di solenne. In tutti i suoi dipinti, l'artista commuove, perché egli stesso prova, davanti alla natura, un'emozione violenta che l'abilità trasmette alla tela" - Georges Riviere (1855-1943), scrittore e critico d'arte francese.

Andreas Achenbach - Fischmarkt in Ostende

Andreas Achenbach [1815-1910] was a German landscape painter, associated with the Düsseldorf school of painting and born in Kassel. He began his art education in 1827 in Düsseldorf under Friedrich Wilhelm Schadow at the Düsseldorf Academy of Painting. He studied at St Petersburg and travelled in Italy, Holland and Scandinavia. In his early work he followed the pseudo-idealism of the German romantic school, but on removing to Munich in 1835, the stronger influence of Louis Gurlitt turned his talent into new channels, and he became the founder of the German realistic school.


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