Antonio Mancini | La lacrima, 1883-1890

Dopo un duro ricovero nel manicomio Provinciale di Napoli nel 1881, Antonio Mancini (1852-1930) trovò ospitalità a Roma, presso gli zii Andrea e Noemi, e durante il suo soggiorno in città può dedicarsi alla pittura utilizzando i nipoti come modelli.

In questa tela si vede infatti Agrippina, con lo sguardo delicato e sofferente e gli occhi lucidi inumiditi dalle lacrime.

Proprio questo dettaglio dà il titolo all’opera, e si dice fosse stato un rimprovero del pittore a far scaturire il pianto.

Antonio Mancini | La lacrima, 1883-1890 (detail) | GAM - Galleria d'Arte Moderna di Milano

Massimo D'Azeglio | A vendetta, 1834-1835

"A Vendetta" is an oil on canvas by Massimo D'Azeglio, created in 1834-1835.

The painting, measuring 179 x 225 cm, is part of the collection of the GAM - Galleria d'Arte Moderna di Milano.

Massimo Taparelli, Marquess of Azeglio (24 October 1798 - 15 January 1866), commonly called Massimo d'Azeglio, was an artist, writer and minister during the Italian Risorgimento.

A vendetta belongs to the historical landscape genre - this refers to landscape paintings drawn "from life" or in a realistic fashion, but populated with figures from history or literature.

Massimo D'Azeglio | Una vendetta, 1834-1835 | GAM - Galleria d'Arte Moderna di Milano

Claude Monet | Deux femmes en barque, 1887

In 1883, Claude Monet (1840-1926) acquired a property in Giverny, a small village in his native Normandy.

Over the next several decades, the artist transformed the isolated, overgrown grounds that surrounded his new home into a lush private paradise, replete with overflowing flowerbeds, sweeping willow trees, wisteria vines, and an infamous waterlily pond.

This curated gardenscape would ultimately inspire some of the artist’s most infamous works in the second half of his career.

Claude Monet | Deux femmes en barque, 1887 | Christie's

Giovanni Segantini | The Two Mothers / Le due madri, 1889

"The Two Mothers" is an 1889 oil painting by Giovanni Segantini (Italian painter, 1858-1899).

This work is a product of the Divisionist technique and measuring 301x162.5 cm.

It is part of the collection of the GAM - Galleria d'Arte Moderna in Milan.

Presented at the inaugural Milan Triennale in 1891, alongside "Maternità" (Maternity) by Gaetano Previati (1858-1899), "Le due madri" is one of Segantini's most celebrated and talked-about works, and affirmed the revolutionary new technique known as Divisionism.

Giovanni Segantini | Le due madri, 1889 | olio su tela; 301x162.5 cm | GAM - Galleria d'Arte Moderna, Milano

Pierre-Édouard Frère | Genre painter

Pierre Édouard Frère (1819-1886), was a French genre painter.

Frère studied under Paul Delaroche, entered the École des Beaux-Arts in 1836 and exhibited first at the Salon in 1843.

Among his chief works are the two paintings, Going to School and Coming from School, The Little Glutton (his first exhibited picture) and L'Exercice (in the 19th century this work was in John Jacob Astor's collection).

Gaetano Previati | Maternity, 1890-1891 | From Scandal to Masterpiece

The "Maternity" is a monumental painting in which the Italian symbolist painter Gaetano Previati (1852-1920) interpreted the theme of Christian tradition in a secular way.

The painting was completed between 1890 and 1891 resides at the GAM - Gallery of Modern Art in Milan.

The "Maternity" has a complex and tormented genesis, not only due to the difficulties connected with the unconventional interpretation of a great theme, but also because of the high costs of making a painting of monumental dimensions (177 x 411 cm) .

A fundamental work, the painting represents a turning point in Previati's career and a manifesto of the new divisionist painting.

Gaetano Previati | Maternità, 1890-1891 | GAM - Galleria d'Arte Moderna di Milano

Tito Corbella (1885-1966)

Tito Corbella (Pontremoli, 1885 - Rome, 1966) was an Italian painter and postcard designer.

Tito Corbella first studied chemistry at the University of Padua.

However, he changed fields and continued his studies at the Academy of Visual Arts in Venice, where he was a pupil of Guglielmo Ciardi and Ettore Tito.

After his training, he began a career as an illustrator.

In early 1912, he focused more on portraits of women and lovers.

Helen Keller: "Tieni il viso rivolto al sole e non vedrai mai le ombre"

Helen Adams Keller (1880-1968) è stata una scrittrice ed accademica Americana, che, pur essendo sorda e cieca, si è fatta paladina della causa dei ciechi, dei sordi e dei muti in tutto il mondo.

Figlia di un direttore di giornale, Helen Keller contrasse la scarlattina all'età di diciannove mesi, che la lasciò cieca e sorda.

Quindi comunicò principalmente usando cartelli domestici fino all'età di sette anni, quando incontrò la sua prima insegnante Anne Sullivan (1866-1936), parzialmente cieca, avendo contratto il tracoma all'età di cinque anni ed ampiamente riconosciuta per i suoi successi nell'istruire ad alto livello una persona priva di vista, udito e linguaggio normale.

Sullivan, che si assunse l'oneroso e spesso frustrante compito di insegnare a Keller l'alfabeto manuale, tamburellando sul palmo della mano e come leggere le labbra appoggiando il pollice e l'indice sul viso di chi parlava, insegnò a Keller il linguaggio, inclusa la lettura e la scrittura.

Dopo un'istruzione sia presso scuole specialistiche che tradizionali, Keller frequentò il Radcliffe College dell'Università di Harvard e divenne la prima persona sordocieca negli Stati Uniti a conseguire una laurea in arti.

Helen Keller

Emily Dickinson | L’erba ha così poche occupazioni / The Grass so little has to do

L’erba ha così poche occupazioni -

un mondo di semplice verde

con solo farfalle su cui meditare

e api da ospitare -

non ha da fare altro che cullarsi

tutto il giorno ai suoni melodiosi

che le brezze portano leggere -

e accogliere in grembo la luce -

Camille Pissarro | Gardeuse de vaches, Eragny | Christie's

Vincent van Gogh | Two peasant women digging in field with snow, 1890

Van Gogh was fascinated with the labour and life of peasants, as expressed in art and literature.

In his paintings and drawings, he prominently featured working men and women.

He believed that to truly capture ‘the heart of the people’, an artist must immerse himself in their world.

He saw labourers as simple, kind-hearted and courageous people, often holding them in higher regard than those he termed "civilized".

Vincent van Gogh | Two peasant women digging in field with snow, 1890 | Kunsthaus Zürich

Happy 194th Birthday, Emily Dickinson!

American poet Emily Dickinson (December 10, 1830 - May 15, 1886) was born 194 years ago, in 1830.

Little-known during her life, she has since been regarded as one of the most important figures in American poetry.

Despite Dickinson's prolific writing, only ten poems and a letter were published during her lifetime.

After her younger sister Lavinia discovered the collection of nearly 1,800 poems, Dickinson's first volume was published four years after her death.

Bronze sculpture of Emily Dickinson by Jane DeDecker

Giovanni Segantini | L’angelo della vita (Dea cristiana), 1894

The Angel of Life (Christian Goddess) was commissioned in 1891 or shortly before by the banker Leopoldo Albini, together with the Pagan Goddess, now exhibited alongside it.

The two works were intended to form a diptych on the theme of women, a mystical mother in the case of the painting considered here, a worldly and lustful vision in the other.

The two figures are portraits of the family nanny, Baba, and of her son Gottardo (painted from memory, since he must have been twelve years old at the time).

Giovanni Segantini | L’angelo della vita (Dea cristiana), 1894 (detaglio) | GAM - Galleria d'Arte Moderna, Milano

7 masterpieces at the Thyssen-Bornemisza Museum

Frederick Carl Frieseke | The House in Giverny, 1912

When Frieseke first settled at Giverny in 1906, he stayed at Le Hameau (the hamlet) on the rue du Pressoir.

The two-story cottage surrounded by high walls on three sides enclosing a garden was next door to the home of Claude Monet and had previously been occupied by the American artist Lilla Cabot Perry.

The house shown in The House in Giverny, however, is most likely the Whitman house, the second of Frieseke's three Giverny residences.

Its green shutters and the distinctive open lattice-work of green trellises laden with flowers appear in a number of Frieseke's paintings, including Lilies, Tea Time in a Giverny Garden (both Daniel J. Terra Collection) and Hollyhocks, c. 1912-1913 (Carmen Thyssen-Bornemisza Collection).

The intimacy of Frieseke's small painting and his interest in decorative pattern links the artist more closely with the Nabi painters Vuillard and Bonnard than to his neighbour Monet or with Renoir, the French Impressionist he most admired.

The artist stated his creed published in a 1914 interview: "My one idea is to reproduce flowers in sunlight.

I do not suggest detail by form, as I have to keep it as pure as possible or the effect of brilliancy will be lost.

Of course, there is a limit to the strength of pigments, and one can but relatively give the impression of nature. I may see a glare of white light at noon, but I cannot render it literally [...]

I usually make my first notes and impressions with dashes of tempera, then I paint over this with small strokes in oil to produce the effect of vibration, completing as I go". | Source: © Thyssen-Bornemisza Museum

Frederick Carl Frieseke (American, 1874-1939) | The House in Giverny, 1912 | Museo Nacional Thyssen-Bornemisza, Madrid

Enoch Wood Perry | A Month’s darning, 1876

In their subject matter and compositional format, Enoch Wood Perry’s watercolor paintings are quite similar to his oils, and his method of applying paint was consistently characterized by fastidious attention to detail.

Like his colleague Eastman Johnson, Enoch Wood Perry (1831-1915) studied in Düsseldorf and Paris, where he acquired a respect for careful draftsmanship.

He exhibited "A Month’s Darning" in 1876 at the American Society of Painters in Water Colors and later the same year at the Centennial Exposition in Philadelphia, where it was acclaimed for its evocation of times past.

The critic for the "New-York Tribune" found the woman’s head to be "the best part" of the composition and only regretted "that the sweet-faced girl . . . should have such large-footed men-folks to darn for". | Source: © The Metropolitan Museum of Art

Enoch Wood Perry | A Month’s Darning, 1876 | Metropolitan Museum of Art

Camille Pissarro at the Christie's

Camille Pissarro | Paysannes travaillant dans les champs, Pontoise, 1881

In Paysannes travaillant dans les champs, Pontoise, painted in 1881, Camille Pissarro (1830-1903) depicts a group of five young women harvesting peas on the rural outskirts of Pontoise, a bustling market town about forty kilometers northwest of Paris where he and his family had lived for over a decade.

Pissarro had first treated the theme of picking peas in two oils the previous year, and he returned to the motif at least three times following his move to the agrarian hamlet of Éragny in 1884.

Camille Pissarro | Paysannes travaillant dans les champs, Pontoise, 1881 | Christie's

Happy birthday to Théo van Rysselberghe, born on this day in 1862

Happy birthday to Théophile "Théo" van Rysselberghe (23 November 1862 - 13 December 1926), a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.

Van Rysselberghe discovered the pointillist technique when he saw Georges Seurat's La Grande Jatte at the eighth impressionist exhibition in Paris in 1886.

Together with Henry Van de Velde, Georges Lemmen, Xavier Mellery, Willy Schlobach and Alfred William Finch and Anna Boch he "imported" this style to Belgium.

Metropolitan Museum of Art | Storia del Museo

Le prime radici del Metropolitan Museum of Art (Met) risalgono al 1866 a Parigi, Francia, quando un gruppo di americani decise di creare una "istituzione nazionale e galleria d'arte" per portare l'arte e l'educazione artistica al popolo americano.

L'avvocato John Jay, che propose l'idea, portò avanti rapidamente il progetto al suo ritorno negli Stati Uniti dalla Francia.

Sotto la presidenza di Jay, l'Union League Club di New York radunò leader civici, uomini d'affari, artisti, collezionisti d'arte e filantropi alla causa.

Charles Dickens: "Love is not a feeling to pass away"

Charles John Huffam Dickens (1812-1870) was an English novelist, journalist, short story writer and social critic.

He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era.

His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius.

His novels and short stories are widely read today.

Charles Dickens | Love is not a feeling to pass away

Love is not a feeling to pass away,

Like the balmy breath of a summer day;

It is not - it cannot be - laid aside;

It is not a thing to forget or hide.

William Powell Frith | The Two Central Figures in "Derby Day" | The Metropolitan Museum of Art

Happy birthday to Édouard Vuillard, born on this day, in 1868

Happy birthday to French Post-impressionist and Nabis painter Edouard Vuillard, born on this day in November 11, 1868.

From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color.

His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form.

Konstantinos Kavafis | Itaca / Ithaca / Ιθάκη, 1911

"Ithaca" /Ιθάκη è una poesia del poeta greco Konstantinos Kavafis, comunemente considerata la sua opera più popolare.

Fu pubblicata per la prima volta sulla rivista Grammata (Γράμματα, "lettere") della Alessandria. Basata sul viaggio di ritorno di Ulisse nell'Odissea di Omero, la poesia è intitolata all'isola omonima di Itaca.

Una prima versione della poesia, intitolata "Una seconda Odissea" fu scritta nel 1894.

Ithaca ottenne un pubblico globale dopo la sua lettura del 1994 al funerale dell'ex first lady degli Stati Uniti, Jacqueline Kennedy Onassis.

Se ti metti in viaggio per Itaca

augurati che sia lunga la via,

piena di conoscenze e d’avventure.