Felix Vallotton | At the Cafe, 1909

Félix Edouard Vallotton (December 28, 1865 - December 29, 1925) was a Swiss/French painter and printmaker associated with the group of artists known as Les Nabis. He was an important figure in the development of the modern woodcut.

He painted portraits, landscapes, figures, still lifes, and other subjects in an unemotional, realistic style.

His earliest paintings were influenced by Holbein and Ingres. He developed a simpler style during his association with Les Nabis during the 1890s, and produced woodcuts which brought him international recognition.

Édouard Manet | Café-Concert, 1878

The Café-Concert is an 1879 painting by the French painter Édouard Manet, who often captured café scenes depicting social life at the end of the nineteenth century similar to those depicted in this painting.

The painting is in the collection of the The Walters Art Museum, Baltimore.

The setting has been identified as the Brasserie Reichshoffen on the Boulevard Rochechouart.

Manet shows us men and women in the new brasseries and cafes of Paris, which presents the viewer with an alternate view of new Parisian life.

Pierre Auguste Renoir | At the Cafe, 1877

Everyday life

Together with Claude Monet, Auguste Renoir is one of the central figures of impressionism.

But while Monet prefers to paint landscapes in the open air, Renoir takes everyday life as the theme for his paintings.

He frequently enjoys painting in cafés, which also brings him all kinds of commissions for portraits.

Edgar Degas | Women on a café terrace in the evening, 1877

Women in a Café or Women on a Café Terrace is a work by the French painter Edgar Degas, made in 1877 and preserved in the Musée d'Orsay in Paris.

In this pastel, Degas's curious gaze catches four women sitting on the terrace of a Parisian café talking (in the background there is a Parisian cityscape dotted with night lights).

Edgar Degas loved the evening hour in Montmartre.

As strong sunlight hurt his eyes he enjoyed wandering round Paris at night, picking up impressions, fixing indelibly on the plate of his memory certain scenes which he later developed with remarkable distinction in his studio.

Alphonse Mucha | The Abyss, c.1898

Eugène Galien-Laloue | Arc de Triomphe, Paris, 1941

Paul Cézanne | The Fishermen (Fantastic Scene) c.1875