Djordje Prudnikoff in Italy

At the International competition for new ideas in furniture design, in 1968 in Italy, Djordje Prudnikoff (1939-2017) was granted a reward and 3 months scholarship by the company called Sormani from Milan for perfecting himself in furniture design.

During and after his studies he was mostly occupied with creations in the field of applied arts and took part in projects for furniture and applied pottery for several well-known Italian enterprises.

His work were selected for the ITALIAN DESIGN exhibitions in many European metropolises, and that was the time when Italian design was considered one of the best in the world.

Vincent Van Gogh | Portraits

Vincent van Gogh🎨 lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms.

Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting.

Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects.

Van Gogh's portraiture focuses on color and brushstrokes to demonstrate their inner qualities and van Gogh's own relationship with them.

Vincent van Gogh painted portraits throughout his career from 1881-1890.

Hans Thoma | Solitude, 1906

Hans Thoma (October 2, 1839 - November 7, 1924) was a German Symbolist painter.

In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.

Many of his pictures have found their way into two private collections in Liverpool.

A portrait of the artist and two subject pictures, The Guardian of the Valley and Spring Idyll are at the Galerie Neue Meister; Eve in Paradise and The Open Valley at the Städel.

John Palmer Wicker | Autumn, 1924 | Detroit Institute of Arts

John Palmer Wicker (1860-1931) was born in Ypsilanti, Michigan, Feb. 23, 1860; son of William W. and Charlotte Adelaide (Palmer) Wicker; studied art seven years in Paris, three and one-half years at Julian Academy under William Bouguereau, and three and one-half years in private classes of Ferdinand Cormon; married at Saginaw, Mich., July, 1897, Marie Louise Saxmann.

Exhibited portraits three times in Paris salons; exhibited three portraits at St. Louis Exposition, 1904; has taught for ten years; associate director Detroit Fine Arts Academy.

Jens Ferdinand Willumsen | Symbolist / Expressionist painter

Jens Ferdinand Willumsen (7 September 1863 - 4 April 1958) was a Danish painter, sculptor, graphic artist, architect and photographer. He became associated with the movements of Symbolism🎨 and Expressionism.

J. F. Willumsen was born in Copenhagen, Denmark. He was the son of Hans Willumsen and Ane Kirstine. He was initially trained in art at the Royal Danish Academy of Fine Arts from 1881-1885 and in architecture at the Copenhagen Technical College from 1879-1882. He completed his education in 1885 with the artists P.S. Krøyer🎨 (1851-1909) and Laurits Tuxen (1853-1927).

His works were exhibited in the Paris Salon, the Société Nationale des Beaux-Arts, the Société des Artistes Indépendants, the art gallery of Le Barc de Boutteville and at the Exposition Universelle (1900).

Luis de Morales (El Divino) | Mannerist painter

Luis de Morales, byname El Divino (Spanish: “The Divine”), (born c. 1509, Badajoz, Spain - died May 9, 1586, Badajoz), painter who was the first Spanish artist🎨 of pronounced national character, considered to be the greatest native Mannerist painter🎨 of Spain.

He is remembered for his emotional religious paintings, which earned him his sobriquet and greatly appealed to the Spanish populace.

Morales may have studied with the Flemish painter🎨 Hernando Sturmio in Badajoz or with Pedro de Campaña in Seville.

He worked in Badajoz from 1546, leaving on occasional commissions but making his home there all his life. Summoned by Philip II of Spain to help in the decoration of El Escorial, he painted a Christ Carrying the Cross that did not please the king and was removed to the Church of San Jerónimo, Madrid.

Pablo Picasso | Sleeping peasants, 1919

Medium: Gouache, watercolor, and pencil on paper

Dimensions: 12 1/4 x 19 1/4" (31.1 x 48.9 cm)

Credit: Abby Aldrich Rockefeller Fund

Current location: Museum of Modern Art (MoMA)

Sleeping peasants, is the most potent of the small erotic paintings that is brilliantly coloured.

The restless, irregular rhythms mapped out by the contours of the tumescene limbs and ruckled drapery amount to a graph of love-making which has just occured, while the woman's thrown-back head and uncovered breast confirm her maenadic ancestry.

The ripe bodies nestled in the ripe crops implying some archaic fertility rite.

Vincent van Gogh | Vase with Poppies, 1886

Vase with Poppies is a painting made by Vincent van Gogh in Paris in 1886.

March 24, 2019

By The Associated Press | A painting at a Connecticut museum that has long been thought to be by Vincent van Gogh🎨 has been authenticated by Dutch researchers.

The Wadsworth Atheneum Museum of Art in Hartford announced Friday that "Vase With Poppies", a still life oil painting, has been verified by researchers at the Van Gogh Museum in Amsterdam as having been made by the Dutch artist in 1886, just after he moved to Paris. It has been in the Atheneum’s collection since 1957.

Vincent van Gogh | Wheatfield with Partridge, 1887

Amid the waving wheat, we see poppies and cornflowers.

A partridge emerges from the field and flies away.

Looking at this painting, you feel as if you're right next to the field. That's because of the low point of view.

Van Gogh painted this rural wheat field while living in the crowded city of Paris.

Before his move to the French capital, his main theme had been country life. For him, this summery painting was a brief return to that theme. | © Van Gogh Museum, Amsterdam

Vincent van Gogh | Pine Trees Against An Evening Sky, 1889

Vincent Van Gogh🎨 achieved his most beautiful effect of branches with foliage against the sky in the Pine Trees against an Evening Sky.

In reality, the scale of the overall scene is such that it cannot be taken in at one glance, and to paint the trees and the sky like that Van Gogh would have had to gaze up above his head.

The artist was of the opinion that the picture he provided here of the asylum was fairly pleasant and his aim had indeed been to 'reconstruct it as it might have been by simplifying and accentuating the proud and immutable character of the pines and the clumps of cedar against the blue'.

Henri Matisse | Conversation under the Olive Trees, 1921

Beneath their tranquil surface, Henri Matisse's paintings often conceal a complex discourse expressing his conflicting aspirations through the relationship between subject and style.

Conversation under the Olive Trees is particularly revealing in this respect. Two elegant ladies standing on the lawn seem to be chatting.

Behind them is a path; on the far side and slightly lower, we see a grove of olive-trees, while further away appears the silhouette of a hill, and beyond it another.

Henri Matisse | Conversation under the Olive Trees, 1921 | The Carmen Thyssen Museum (Museo Carmen Thyssen Málaga)

Henri Matisse | Legacy / L'eredità

The first painting of Henri Matisse🎨 (31 December 1869 - 3 November 1954) acquired by a public collection was Still Life with Geraniums (1910), exhibited in the Pinakothek der Moderne.

Today, a Matisse painting can fetch as much as US $17 million.

In 2002, a Matisse sculpture, Reclining Nude I (Dawn), sold for US $9.2 million, a record for a sculpture by the artist.

Matisse's daughter Marguerite often aided Matisse scholars with insights about his working methods and his works. She died in 1982 while compiling a catalog of her father's work.

Matisse's son, Pierre Matisse, (1900-1989) opened an important modern art gallery in New York City during the 1930s.

Edward Pustovoitov, 1964

Edward Pustovoitov è nato a Makeyevka, in Ucraina.

Ha conseguito la qualifica di Designer presso l'Istituto di studi teatrali e artistici di Odessa.

L'irresistibile desiderio di viaggiare una volta portò Pustovoitov a venire in Lettonia e ad iscriversi al collegio nautico di Riga; dopo la laurea ha lavorato come marinaio presso la Latvian Shipping.

Nel 1993, residente a Riga, il giovane marinaio Eduard, come racconta, arrivò accidentalmente nei Paesi Bassi e visitò il Museo di Arte Contemporanea di Amsterdam, dove per la prima volta conobbe il famoso e scandaloso surrealista spagnolo Dalì, più precisamente - con le sue opere.

Adam de Coster (1586-1643) | Card players by candlelight

In the absence of signed and documented works by Flemish painter🎨 Adam De Coster (1586-1643), all attributions have been based on Lucas Vorsterman's engraving after a lost original entitled "The Trick-trak player".

The present painting, which was also engraved by Vorsterman, shares a number of similarities with this key, lost work.

Both compositions are multi-figural and lit by candlelight, with a figure in the foreground partially shading the light source.

The artist adopts a low viewpoint in both paintings which means that the table-tops are hardly visible.

John Constable RA (1776-1837) | Clouds study

John Constable, RA was an English🎨 landscape painter in the naturalistic tradition.

Constable considered the sky of paramount importance to landscape painting, and in a letter of 1821 to his close friend John Fisher, he wrote:

‘It will be difficult to name a class of landscape in which the sky is not the keynote, the standard of scale, and the chief organ of sentiment … The sky is the source of light in Nature, and governs everything’.

Clouds is one of around fifty extant paintings of the sky which Constable made in Hampstead, between 1821 and 1822, and it has been speculated that he produced more than one hundred such studies at the time.

Constable made his intense examination, which he called ‘skying’, to precisely record different weather and atmospheric conditions, in preparation for his grand landscapes. | The National Gallery of Victoria (NGV) Australia