Gustave Courbet | Quotes / Aforismi

• "Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it".
• "La bellezza, come la verità, è relativa al tempo in cui si vive ed all'individuo che può afferrarla".
• "Fine art is knowledge made visible".
• "L'arte è la conoscenza resa visibile".
• "I am not one who was born in the custody of wisdom; I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients".
• "Non sono uno che è nato sotto la custodia della saggezza; Sono uno che ama i tempi antichi e intenso nella ricerca della sacra conoscenza degli antichi".

James McNeill Whistler | Nocturne: Blue and Gold, St Mark's, Venice, 1880

Nocturne: Blue and Gold, St Mark's, Venice is an 1880 painting by James Abbot McNeill Whistler (American Tonalist painter, 1834-1903), now in the National Museum of Wale.

Following his bankruptcy in 1879, Whistler spent a year in Venice where he concentrated on etchings and pastels.

Only three oil paintings, produced largely from memory in the evenings, survive from this visit.

Gustave Courbet | Jo, La Belle Irlandaise, 1866

Gustave Courbet | Jo, the Beautiful Irishwoman | The Metropolitan Museum of Art

The "beautiful Irishwoman" depicted in this painting is Joanna Hiffernan (born 1842/43), mistress and model of the artist James McNeill Whistler (1834-1903)🎨, and perhaps subsequently Courbet’s lover.

Although dated 1866, the picture was likely undertaken in 1865, when the two men painted together at the French seaside resort of Trouville; Courbet wrote of "the beauty of a superb redhead whose portrait I have begun".

He would paint three repetitions with minor variations. | © The Metropolitan Museum of Art

Pierre Auguste Renoir | Woman playing a guitar, 1897

Woman Playing a Guitar / "Femme jouant de la guitare"/"Joueuse de guitare ou La Guitariste" is an 1897 painting by Pierre-Auguste Renoir, now in the Museum of Fine Arts of Lyon, which bought it in 1901.

The work was one of the first paintings acquired by Paul Durand-Ruel.

Renoir painted several paintings of guitar-players and borrowing classical motifs - here, he is influenced by Camille Corot, Titian and Rubens.

Pierre-Auguste Renoir | L'Église à Essoyes, 1890

The great impressionist painter Pierre-Auguste Renoir🎨 lived in the charming little village of Essoyes, in the Aube department of Champagne-Ardennes (in north-central France) from 1896-1907.

The village, hometown of his wife Aline and model and governess of his children Gabrielle Renard, is represented in many of his paintings.

Marc Chagall | Music and Colour

• "Mozart never composed anything, ever! He copied what was written on his soul".
• "Mozart non ha mai composto nulla, mai! Ha copiato ciò che è stato scritto sulla sua anima".
• "Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration".
• "Il colore è tutto. Quando il colore è giusto, anche la forma è giusta. Il colore è tutto, il colore è vibrazione come la musica; tutto è vibrazione".

Francis Picabia | Paysages

Francis Picabia, born Francis-Marie Martinez de Picabia (1879-1953), was a French avant-garde painter, poet and typographist.

After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism.

His highly abstract planar compositions were colourful and rich in contrasts.

He was one of the early major figures of the Dada movement in the United States and in France.

He was later briefly associated with Surrealism, but would soon turn his back on the art establishment.

Marc Chagall | Les Amoureux

"When you did catch a glimpse of his eyes, they were as blue as if they’d fallen straight out of the sky. They were strange eyes.. ..long, almond-shaped.. ..and each seemed to sail along by itself, like a little boat"!

- Quote of Bella Chagall - her description of their first encounter in Vitebsk, 1909.

Michele Lehmann, 1940 | Abstract painter

Michele Lehmann was born in Switzerland but moved to Mijas in southern Spain over 30 years ago.

After arriving there, Michele opened an art gallery as an outlet for local artists.

Although not an artist herself she began sketching to pass the time.

It began with a sketch of an old woman in black who passed the gallery every day.

She moved too fast for Michele to draw so the image captured her from behind.