Abraham Brueghel è stato un pittore Fiammingo.
Appartenente alla celebre dinastia dei Brueghel - era figlio di Jan il Giovane e nipote di Jan Brueghel dei Velluti; il suo bisnonno era il celebre Pieter Bruegel il Vecchio, Abraham Brueghel trascorse, al contrario dei suoi famigliari, quasi tutta la vita in Italia, dove giunse nel 1649.
Abraham dipinse quasi solo composizioni di fiori; la sua prima commissione importante fu quella per il nobile messinese Antonio Ruffo, un raffinatissimo collezionista che fu il primo italiano a richiedere un'opera di Rembrandt.
Di seguito Brueghel soggiornò a Roma, dove si sposò con un'italiana e ritrasse soprattutto fiori e nature morte in dipinti richiestissimi dai collezionisti, completati da figure umane dipinte da artisti quali Giacinto Brandi, Maratta, Baciccio e altri. Nel 1670 fu accolto nell'Accademia di San Luca.
Negli ultimi anni la vita di Abraham si divise tra lunghi soggiorni a Roma e a Napoli, dove, a detta delle fonti coeve, si era guadagnato il soprannome di Brueghel il fracassoso.
Alla Galleria dell'Accademia (Napoli) si conserva la una tela, dal titolo Pomoma o Estate (dimensioni 76x102 cm, inventario 714) che nel vecchio inventario era attribuita a "Scuola Napoletana" e che risulta dal 1971 assegnata a Brueghel, con la collaborazione di "ignoto autore romano".
Abraham Brueghel was a Flemish painter from the famous Brueghel family of artists.
He emigrated at a young age to Italy where he played an important role in the development of the style of decorative Baroque still lifes.
- Early life
Abraham was born in Antwerp, the son of Jan Brueghel the Younger, the grandson of Jan Brueghel the Elder and the great-grandson of Pieter Brueghel the Elder. Much of his artistic training came from his father Jan Brueghel the Younger, prolific painter and regular collaborator with Rubens.
Abraham showed great promise as an artist from an early age, and started to make a name for himself in his teenage years. His father sold one of Abraham's floral still lives when he was only 15 years old.
- Move to Italy
In 1649, at the age of 18, Abraham went to Italy to complete a commission for Prince Antonio Ruffo in Sicily. It was the first of many commissions in which Abraham demonstrated his artistic abilities in drawing floral still lifes.
Already in 1649 an inventory of his patron Prince Antonio Ruffo records nine flower paintings by the 18-year-old artist.
Ten years later, in 1659, Brueghel moved to Rome, Italy where he married an Italian woman less than a year later.
In 1670 he was invited into the Accademia di San Luca, a Roman academy, which had as its objective the elevation of the work of artists.
Abraham joined the Bentvueghels, an association of mainly Dutch and Flemish artists working in Rome. It was customary for the Bentvueghels to adopt an appealing nickname, the so-called 'bent name'.
He was given the bent name Rijngraaf, meaning 'duke of the Rhine', which was an old aristocratic title in Germany.
When Abraham Genoels joined the Bentvueghels in 1670, Abraham Brueghel signed the bentbrief as "Abraham Breugel".
Some time between 1672-1675, Abraham left Rome and moved to Naples, Italy.
He played an important role in the development of still life painting in Naples, which had before his arrival in the city resisted the Flemish-Roman style of decorative still lifes.
Breughel remained in Naples until his death. He is believed to have died c. 1690 in Naples and in any event no later than 1697.
- Work
Abraham Brueghel established a reputation for his still lifes and in particular, floral still lives. One hunting still life signed and dated by him is known.
Due to lack of evolution during the artist’s mature period and the scarcity of dated works, it is difficult to establish a chronology of Abraham’s artistic development. His brushstrokes were generally slightly more painterly during his Roman period, while his colouring became brighter and stronger during his later years.
The increasingly lush still lifes of the Flemish painters Frans Snyders, Jan Fyt and Pieter Boel who had also worked in Italy were the principal influences on Abraham Brueghel.
Joannes Hermans, another Flemish painter in Rome also painted grandiose still lifes combining human figures, flowers and fruit, which anticipated the arrival in Rome in 1653 of Abraham Brueghel.
Brueghel combined the Flemish preference for decorative profusion and anecdote with the sweeping movement of the Italian High Baroque of his Italian contemporaries, such as Michele Pace del Campidoglio and Michelangelo Cerquozzi. The result of the complementary influences were compositions that appear casual, while maintaining strong composition and clarity of detail.
Abraham Brueghel is especially known for his still life paintings of southern fruits and flowers, which were typically assembled in front of a landscape.
They are frequently enhanced by a precious vase, an antique monument or fragments of Roman sculpture. His cartouches are heavier and more decorative.
He painted his own landscapes but the staffage in his paintings was painted by well-known Italian painters, such as Carlo Maratta, Giovanni Battista Gaulli and Giacinto Brandi.
A few collaborations between Abraham Brueghel and Guillaume Courtois, a French painter active in Rome, are recorded.
An example is the Still life of fruits and flowers with a figure (Sold at Sotheby's on 29 January 2015 in New York, lot 302). The still life was painted by Brueghel while Courtois painted the figure. The painting is a variant of the Grapes and pomegranate with a vase of flowers and a female figure (private collection), which has been dated to the end of the 1660s. | © Wikipedia
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