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Osman Hamdi Bey | The Tortoise Trainer, 1906

The Tortoise Trainer Hamdi's 1906 painting, The Tortoise Trainer, has held the record until 2019 for the most valuable Turkish painting, after being sold for 5 million Turkish Liras (approx. US$3.5 million) in December 2004.
At the 2004 Artam Antik A.Ç. auction in Istanbul, the Pera Museum and the Turkish Modern Museum fought to acquire the painting, and was ultimately purchased by the Pera Museum.
The painting depicts Hamdi's likeness clad in antiquated clothing, training tortoises in a mosque.
This choice of subject matter leads many to see this painting as a commentary on Turkey's conflicted national identity.


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Osman Hamdi Bey | The Tortoise Trainer, 1906

The Tortoise Trainer Hamdi's 1906 painting, The Tortoise Trainer, has held the record until 2019 for the most valuable Turkish painting, after being sold for 5 million Turkish Liras (approx. US$3.5 million) in December 2004.
At the 2004 Artam Antik A.Ç. auction in Istanbul, the Pera Museum and the Turkish Modern Museum fought to acquire the painting, and was ultimately purchased by the Pera Museum.
The painting depicts Hamdi's likeness clad in antiquated clothing, training tortoises in a mosque.
This choice of subject matter leads many to see this painting as a commentary on Turkey's conflicted national identity.


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Walt Whitman | If you later to see me.. / Se tardi a trovarmi..

Se tardi a trovarmi, insisti.
Se non ci sono in nessun posto,
cerca in un altro, perché io sono
seduto da qualche parte,
ad aspettare te...

Roelof Rossouw | Autumn Solitude

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Walt Whitman | If you later to see me.. / Se tardi a trovarmi..

Se tardi a trovarmi, insisti.
Se non ci sono in nessun posto,
cerca in un altro, perché io sono
seduto da qualche parte,
ad aspettare te...

Roelof Rossouw | Autumn Solitude

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Antonino Leto | Pittore verista

Antonino Leto (Monreale, 14 giugno 1844 - Capri, 31 maggio 1913) è stato un pittore Italiano figurativo, aderente al movimento verista.
Antonino Leto nacque a Monreale nel 1844. Grazie al sostegno dei concittadini intraprese i primi studi a Palermo sotto la guida dell’abate Gravina e presso i pittori Luigi Barba e Luigi Lojacono.
Nel 1864, durante un breve viaggio a Napoli, conobbe Filippo Palizzi e Domenico Morelli, frequentando i pittori della Scuola di Resina.


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Antonino Leto | Pittore verista

Antonino Leto (Monreale, 14 giugno 1844 - Capri, 31 maggio 1913) è stato un pittore Italiano figurativo, aderente al movimento verista.
Antonino Leto nacque a Monreale nel 1844. Grazie al sostegno dei concittadini intraprese i primi studi a Palermo sotto la guida dell’abate Gravina e presso i pittori Luigi Barba e Luigi Lojacono.
Nel 1864, durante un breve viaggio a Napoli, conobbe Filippo Palizzi e Domenico Morelli, frequentando i pittori della Scuola di Resina.


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Eastman Johnson | At the Closing of the Day, 1878-80

Beginning in 1870 Eastman Johnson (American painter and co-founder of the Metropolitan Museum of Art, New York City, 1824-1906) produced a string of anecdotal narrative subjects depicting daily life on the island of Nantucket, Massachusetts.

In the years after the Civil War, Johnson drew upon the visual character of the island and its inhabitants to portray everyday scenes which rank among the artist's most memorable paintings.
In an effort to find new and relevant subject matter, the painter found inspiration in the quiet whaling community of Nantucket. Johnson relished the island's simple way of life, its setting, and its population which offered models of distinctive appearance and character.


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Eastman Johnson | At the Closing of the Day, 1878-80

Beginning in 1870 Eastman Johnson (American painter and co-founder of the Metropolitan Museum of Art, New York City, 1824-1906) produced a string of anecdotal narrative subjects depicting daily life on the island of Nantucket, Massachusetts.

In the years after the Civil War, Johnson drew upon the visual character of the island and its inhabitants to portray everyday scenes which rank among the artist's most memorable paintings.
In an effort to find new and relevant subject matter, the painter found inspiration in the quiet whaling community of Nantucket. Johnson relished the island's simple way of life, its setting, and its population which offered models of distinctive appearance and character.


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René Gruau (1909-2004)


Il conte Renato Zavagli Ricciardelli della Caminate, conosciuto professionalmente come René Gruau (4 febbraio 1909 - 31 marzo 2004) è stato un illustratore di moda Italiano, la cui esagerata rappresentazione del design della moda attraverso la pittura ha avuto un effetto duraturo sull'industria della moda.
A causa delle abilità e della creatività intrinseche di Gruau, ha contribuito a un cambiamento nell'intero settore della moda attraverso le nuove immagini che rappresentavano i disegni già popolari creati dai designer del settore.

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René Gruau (1909-2004)


Il conte Renato Zavagli Ricciardelli della Caminate, conosciuto professionalmente come René Gruau (4 febbraio 1909 - 31 marzo 2004) è stato un illustratore di moda Italiano, la cui esagerata rappresentazione del design della moda attraverso la pittura ha avuto un effetto duraturo sull'industria della moda.
A causa delle abilità e della creatività intrinseche di Gruau, ha contribuito a un cambiamento nell'intero settore della moda attraverso le nuove immagini che rappresentavano i disegni già popolari creati dai designer del settore.

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Diana Armfield RA, 1920 | Centenarian painter of Flowers / Landscapes

Diana Armfield RA is a British painter who celebrated her 100th birthday on 11 June 2020. She was born on 11 June 1920.
Armfield is known for landscapes, and has also painted portraits, literary subjects and still lifes.
She has a particular interest in flower paintings, and is considered to owe much to the Sickert tradition.
She studied at the Slade School of Fine Art and the Central School of Arts and Crafts. Armfield was elected as a Royal Academician in 1991.


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Diana Armfield RA, 1920 | Centenarian painter of Flowers / Landscapes

Diana Armfield RA is a British painter who celebrated her 100th birthday on 11 June 2020. She was born on 11 June 1920.
Armfield is known for landscapes, and has also painted portraits, literary subjects and still lifes.
She has a particular interest in flower paintings, and is considered to owe much to the Sickert tradition.
She studied at the Slade School of Fine Art and the Central School of Arts and Crafts. Armfield was elected as a Royal Academician in 1991.


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Bernard Dunstan RA (1920-2017)

Bernard Dunstan studied at Byam Shaw School of Art in 1939 and subsequently at the Slade School of Fine Art, London from 1939-1941.
He went on to teach at the West of England School of Art in Bristol from 1946-1949, Camberwell School of Art from 1950-1964, Byam Shaw School of Art from 1953-1974, Ravensbourne Art College from 1959-1964 and City and Guilds of London Art School from 1964-1969.


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Bernard Dunstan RA (1920-2017)

Bernard Dunstan studied at Byam Shaw School of Art in 1939 and subsequently at the Slade School of Fine Art, London from 1939-1941.
He went on to teach at the West of England School of Art in Bristol from 1946-1949, Camberwell School of Art from 1950-1964, Byam Shaw School of Art from 1953-1974, Ravensbourne Art College from 1959-1964 and City and Guilds of London Art School from 1964-1969.


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Agnes Lawrence Pelton | Abstract painter

Agnes Lawrence Pelton (1881-1961) was a modernist painter who was born in Germany and moved to the United States as a child.
She studied art in the United States and Europe. She made portraits of Pueblo Native Americans, desert landscapes and still lifes.
Pelton's work evolved through at least three distinct themes: her early "Imaginative Paintings," art of the American Southwest people and landscape, and abstract art that reflected her spiritual beliefs.


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Agnes Lawrence Pelton | Abstract painter

Agnes Lawrence Pelton (1881-1961) was a modernist painter who was born in Germany and moved to the United States as a child.
She studied art in the United States and Europe. She made portraits of Pueblo Native Americans, desert landscapes and still lifes.
Pelton's work evolved through at least three distinct themes: her early "Imaginative Paintings," art of the American Southwest people and landscape, and abstract art that reflected her spiritual beliefs.


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Adam Styka | Genre / Orientalist painter


French-Polish artist Adam Styka was a painter of genre scenes, landscapes and orientalist scenes.
Adam Styka (1890-1959) was born of a family of artists in Kielce, Poland.
He started studying with his father, the painter Jan Styka, and his brother, the portraitist Tadé Styka.
In 1908, he moved to Paris and completed his formal education at the Ecole Nationale des Beaux-Arts where he studied in the Studio of Fernand Cormon until 1912.

He started exhibiting his work at the Salon des Beaux-Arts in 1911, and in Paris most prestigious galleries: Galerie Georges Petit (1906), Galerie des Champs-Elysées.

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Adam Styka | Genre / Orientalist painter


French-Polish artist Adam Styka was a painter of genre scenes, landscapes and orientalist scenes.
Adam Styka (1890-1959) was born of a family of artists in Kielce, Poland.
He started studying with his father, the painter Jan Styka, and his brother, the portraitist Tadé Styka.
In 1908, he moved to Paris and completed his formal education at the Ecole Nationale des Beaux-Arts where he studied in the Studio of Fernand Cormon until 1912.

He started exhibiting his work at the Salon des Beaux-Arts in 1911, and in Paris most prestigious galleries: Galerie Georges Petit (1906), Galerie des Champs-Elysées.

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Édouard Joseph Dantan (1848-1897)

Édouard Joseph Dantan was a French painter in the classical tradition. He was widely recognized in his day, although he was subsequently eclipsed by painters with more modern styles.

Biography

Édouard Joseph Dantan was born in Paris. His grandfather, who had fought in the Napoleonic Wars, was a wood sculptor. His father, Antoine Laurent Dantan, and uncle, Jean-Pierre Dantan, were both well-known sculptors.


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Édouard Joseph Dantan (1848-1897)

Édouard Joseph Dantan was a French painter in the classical tradition. He was widely recognized in his day, although he was subsequently eclipsed by painters with more modern styles.

Biography

Édouard Joseph Dantan was born in Paris. His grandfather, who had fought in the Napoleonic Wars, was a wood sculptor. His father, Antoine Laurent Dantan, and uncle, Jean-Pierre Dantan, were both well-known sculptors.


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Georgia Cox, 1975

Since graduating from Falmouth College of Arts in 1998, Bath based artist Georgia Cox has achieved a reputation for her paintings of intricate flower compositions using oil and gold leaf.
Patterning, repetition, texture and the highly detailed observation of natural forms have become the hallmark of her work. As well as the natural world, inspiration comes from armour, quilting, tiles and jewellery.


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Georgia Cox, 1975

Since graduating from Falmouth College of Arts in 1998, Bath based artist Georgia Cox has achieved a reputation for her paintings of intricate flower compositions using oil and gold leaf.
Patterning, repetition, texture and the highly detailed observation of natural forms have become the hallmark of her work. As well as the natural world, inspiration comes from armour, quilting, tiles and jewellery.


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Henri-Guillaume Schlesinger (1814-1893)

Henri-Guillaume Schlesinger, originally Wilhelm Heinrich Schlesinger (6 August 1814, Frankfurt am Main - 21 February 1893, Neuilly-sur-Seine) was a French portrait and genre painter of German birth.
He was especially known for his lively and sensitive depictions of young women.
He studied painting at the Academy of Fine Arts, Vienna, and was originally active in that city.


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Henri-Guillaume Schlesinger (1814-1893)

Henri-Guillaume Schlesinger, originally Wilhelm Heinrich Schlesinger (6 August 1814, Frankfurt am Main - 21 February 1893, Neuilly-sur-Seine) was a French portrait and genre painter of German birth.
He was especially known for his lively and sensitive depictions of young women.
He studied painting at the Academy of Fine Arts, Vienna, and was originally active in that city.


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Wisława Szymborska | The railroad station / La stazione ferroviaria

My nonarrival in the city of N.
took place on the dot.

You'd been alerted
in my unmailed letter.

You were able not to be there
at the agreed-upon time.

Jeff Rowland | Right here waiting for you

The train pulled up at platform 3.
A lot of people got out.

My absence joined the throng
as it made its way toward the exit.

Several women rushed
to take my place
in all that rush.

Somebody ran up to one of them.
I didn't know him,
but she recognized him
immediately.

While they kissed
with not our lips,
a suitcase disappeared,
not mine.

The railroad station in the city of N.
passed its exam
in objective existence
with flying colors.

Jeff Rowland

The whole remained in place.
Particulars scurried
along the designated tracks.

Even a rendezvous
took place as planned.

Beyond the reach
of our presence.

In the paradise lost
of probability.

Somewhere else.
Somewhere else.
How these little words ring.

Maria Wisława Anna Szymborska (1923-2012) was a Polish poet, essayist, translator and recipient of the 1996 Nobel Prize in Literature "for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality".

Jeff Rowland

Il mio arrivo nella città di N.
è avvenuto puntualmente.

Eri stato avvertito
con una lettera non spedita.
Hai fatto in tempo a non venire
all’ora prevista.

Il treno è arrivato sul terzo binario.
È scesa molta gente.

L’assenza della mia persona
si avviava verso l’uscita tra la folla.

Alcune donne mi hanno sostituito
frettolosamente
in quella fretta.

A una è corso incontro
qualcuno che non conoscevo,
ma lei lo ha riconosciuto
immediatamente.

Jeff Rowland

Si sono scambiati
un bacio non nostro,
intanto si è perduta
una valigia non mia.

La stazione della città di N.
ha superato bene la prova
di esistenza oggettiva.

L’insieme restava al suo posto.
I particolari si muovevano
sui binari designati.

È avvenuto perfino
l’incontro fissato.

Fuori dalla portata
della nostra presenza.
Nel paradiso perduto
della probabilità.

Altrove.
Altrove.
Come risuonano queste piccole parole

Jeff Rowland

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Wisława Szymborska | The railroad station / La stazione ferroviaria

My nonarrival in the city of N.
took place on the dot.

You'd been alerted
in my unmailed letter.

You were able not to be there
at the agreed-upon time.

Jeff Rowland | Right here waiting for you

The train pulled up at platform 3.
A lot of people got out.

My absence joined the throng
as it made its way toward the exit.

Several women rushed
to take my place
in all that rush.

Somebody ran up to one of them.
I didn't know him,
but she recognized him
immediately.

While they kissed
with not our lips,
a suitcase disappeared,
not mine.

The railroad station in the city of N.
passed its exam
in objective existence
with flying colors.

Jeff Rowland

The whole remained in place.
Particulars scurried
along the designated tracks.

Even a rendezvous
took place as planned.

Beyond the reach
of our presence.

In the paradise lost
of probability.

Somewhere else.
Somewhere else.
How these little words ring.

Maria Wisława Anna Szymborska (1923-2012) was a Polish poet, essayist, translator and recipient of the 1996 Nobel Prize in Literature "for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality".

Jeff Rowland

Il mio arrivo nella città di N.
è avvenuto puntualmente.

Eri stato avvertito
con una lettera non spedita.
Hai fatto in tempo a non venire
all’ora prevista.

Il treno è arrivato sul terzo binario.
È scesa molta gente.

L’assenza della mia persona
si avviava verso l’uscita tra la folla.

Alcune donne mi hanno sostituito
frettolosamente
in quella fretta.

A una è corso incontro
qualcuno che non conoscevo,
ma lei lo ha riconosciuto
immediatamente.

Jeff Rowland

Si sono scambiati
un bacio non nostro,
intanto si è perduta
una valigia non mia.

La stazione della città di N.
ha superato bene la prova
di esistenza oggettiva.

L’insieme restava al suo posto.
I particolari si muovevano
sui binari designati.

È avvenuto perfino
l’incontro fissato.

Fuori dalla portata
della nostra presenza.
Nel paradiso perduto
della probabilità.

Altrove.
Altrove.
Come risuonano queste piccole parole

Jeff Rowland

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David Gray, 1970

Lo stile inconfondibile di David rivela un'espressione personale e contemporanea di bellezza ed ordine che rende omaggio alla tradizione classica nella sua maestria.
I collezionisti del lavoro di David spesso riferiscono che la sua pittura evoca un senso di pace, quiete o uno stato d'animo contemplativo.
I suoi lavori pluripremiati sono stati coperti da importanti pubblicazioni d'arte tra cui Southwest Art, Art of the West e American Art Collector.


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David Gray, 1970

Lo stile inconfondibile di David rivela un'espressione personale e contemporanea di bellezza ed ordine che rende omaggio alla tradizione classica nella sua maestria.
I collezionisti del lavoro di David spesso riferiscono che la sua pittura evoca un senso di pace, quiete o uno stato d'animo contemplativo.
I suoi lavori pluripremiati sono stati coperti da importanti pubblicazioni d'arte tra cui Southwest Art, Art of the West e American Art Collector.


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Emily Dickinson | The Spirit lasts, but in what mode / Lo Spirito persiste, ma in che modo..

The Spirit lasts - but in what mode -
Below, the Body speaks,
But as the Spirit furnishes -
Apart, it never talks -
The Music in the Violin
Does not emerge alone
But Arm in Arm with Touch, yet Touch
Alone - is not a Tune -

Sir. Joshua Reynolds PRA | Mrs. Lloyd | Smithsonian American Art Museum

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Emily Dickinson | The Spirit lasts, but in what mode / Lo Spirito persiste, ma in che modo..

The Spirit lasts - but in what mode -
Below, the Body speaks,
But as the Spirit furnishes -
Apart, it never talks -
The Music in the Violin
Does not emerge alone
But Arm in Arm with Touch, yet Touch
Alone - is not a Tune -

Sir. Joshua Reynolds PRA | Mrs. Lloyd | Smithsonian American Art Museum

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Harrold Clayton (1896-1979)

Harold Clayton was a British painter best known for his depictions of flower arrangements in ornate vases, painted with the detailed techniques and centered compositions of 16th-century Dutch and Flemish floral still-life painters like Ambrosius Bosschaert the Elder.
Harold Clayton was born into a family of artists in London. He began studying at art school in Hackney at an early age.
After graduating with distinction, he moved to Harrow Art School and, once again, graduated with distinction.


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Harrold Clayton (1896-1979)

Harold Clayton was a British painter best known for his depictions of flower arrangements in ornate vases, painted with the detailed techniques and centered compositions of 16th-century Dutch and Flemish floral still-life painters like Ambrosius Bosschaert the Elder.
Harold Clayton was born into a family of artists in London. He began studying at art school in Hackney at an early age.
After graduating with distinction, he moved to Harrow Art School and, once again, graduated with distinction.


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Jacques Henri Lartigue | Belle Époque photographer

Jacques Henri Lartigue (1894-1986) was a French photographer and painter, known for his photographs of automobile races, planes and female Parisian fashion models.
His work was part of the painting event in the art competition at the 1924 Summer Olympics.

Born in Courbevoie in western Paris to a wealthy family, Lartigue started taking photographs when he was seven.
He photographed his friends and family at play - running and jumping; racing home-built race cars; making kites, gliders as well as aeroplanes; and climbing the Eiffel Tower.


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Jacques Henri Lartigue | Belle Époque photographer

Jacques Henri Lartigue (1894-1986) was a French photographer and painter, known for his photographs of automobile races, planes and female Parisian fashion models.
His work was part of the painting event in the art competition at the 1924 Summer Olympics.

Born in Courbevoie in western Paris to a wealthy family, Lartigue started taking photographs when he was seven.
He photographed his friends and family at play - running and jumping; racing home-built race cars; making kites, gliders as well as aeroplanes; and climbing the Eiffel Tower.


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Edvard Munch | Dance on the Shore ,1900

Originally, The Dance on the Shore was part of the collection of twenty-two paintings entitled "The Frieze of Life".
The figures of dancing girls are at the centre of the action being observed by two figures in black – widows. The solitary woman in red symbolises the age of the climax of erotic strength.
The cycle of life is rendered in wide colourful lines dividing the space into multi-coloured bands. | National Gallery, Prague

Edvard Munch | Dance on the Shore, 1900 | National Gallery, Prague

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Edvard Munch | Dance on the Shore ,1900

Originally, The Dance on the Shore was part of the collection of twenty-two paintings entitled "The Frieze of Life".
The figures of dancing girls are at the centre of the action being observed by two figures in black – widows. The solitary woman in red symbolises the age of the climax of erotic strength.
The cycle of life is rendered in wide colourful lines dividing the space into multi-coloured bands. | National Gallery, Prague

Edvard Munch | Dance on the Shore, 1900 | National Gallery, Prague

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Edvard Munch | Evening, 1888

From very early on in his career Edvard Munch aimed to convey the angst and isolation characteristic of modern man. Evening reflects these interests.
It is considered to be the artist’s first treatment of the subject of melancholy and also looks forward to his more characteristic Symbolist compositions.
Munch used his sister Laura as a model on numerous occasions.

In this canvas she is depicted seated and in profile, in front of the house on the Norwegian fjord where they spent the summer of 1888. Her body occupies the foreground, albeit located on the far left-hand side and truncated at the bottom and on the left side.

Edvard Munch | Evening, 1888 | Munch Museum

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Edvard Munch | Evening, 1888

From very early on in his career Edvard Munch aimed to convey the angst and isolation characteristic of modern man. Evening reflects these interests.
It is considered to be the artist’s first treatment of the subject of melancholy and also looks forward to his more characteristic Symbolist compositions.
Munch used his sister Laura as a model on numerous occasions.

In this canvas she is depicted seated and in profile, in front of the house on the Norwegian fjord where they spent the summer of 1888. Her body occupies the foreground, albeit located on the far left-hand side and truncated at the bottom and on the left side.

Edvard Munch | Evening, 1888 | Munch Museum

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Edvard Munch | Summer Evening in Åsgårdstrand, 1891

In October 1889, aged twenty-five, Edvard Munch left his native Norway for an extended stay in France, supported by an artist’s grant from the Norwegian State. The terms of his bursary stipulated that he enroll in a traditional art school, but he lasted only a few weeks in Léon Bonnat’s studio before storming out during a dispute over color.

Instead, for the next two and a half years, Munch steeped himself in French modernism, returning home only for summer holidays.
He absorbed the plein air ethos of Impressionism at the Galeries Durand-Ruel and Georges Petit; at the Salon des Indépendants, he encountered the latest work of Georges Seurat, Paul Signac, Henri de Toulouse-Lautrec, and Vincent van Gogh.

Edvard Munch | Summer Evening in Åsgårdstrand, 1891

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Edvard Munch | Summer Evening in Åsgårdstrand, 1891

In October 1889, aged twenty-five, Edvard Munch left his native Norway for an extended stay in France, supported by an artist’s grant from the Norwegian State. The terms of his bursary stipulated that he enroll in a traditional art school, but he lasted only a few weeks in Léon Bonnat’s studio before storming out during a dispute over color.

Instead, for the next two and a half years, Munch steeped himself in French modernism, returning home only for summer holidays.
He absorbed the plein air ethos of Impressionism at the Galeries Durand-Ruel and Georges Petit; at the Salon des Indépendants, he encountered the latest work of Georges Seurat, Paul Signac, Henri de Toulouse-Lautrec, and Vincent van Gogh.

Edvard Munch | Summer Evening in Åsgårdstrand, 1891