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Vladimir Kush, 1965 | Pillow Book


Il dipinto raffigura il momento del risveglio.
Quando la notte tiene ancora le redini nella parte oscura del letto-libro, e la luce dorata del mattino penetra attraverso le tende aperte dello spazio dell'abitazione.
I sogni guariscono la propria anima, bilanciando la realtà con elementi di magia ed il mondo intangibile della fantasia.
Morpheus sta ancora salvaguardando il sonno dorato che rimane sulle ciglia setose della ragazza.
Un segnalibro a forma di piuma d'uccello simboleggia il volo dell'immaginazione.

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Vladimir Kush, 1965 | Pillow Book


Il dipinto raffigura il momento del risveglio.
Quando la notte tiene ancora le redini nella parte oscura del letto-libro, e la luce dorata del mattino penetra attraverso le tende aperte dello spazio dell'abitazione.
I sogni guariscono la propria anima, bilanciando la realtà con elementi di magia ed il mondo intangibile della fantasia.
Morpheus sta ancora salvaguardando il sonno dorato che rimane sulle ciglia setose della ragazza.
Un segnalibro a forma di piuma d'uccello simboleggia il volo dell'immaginazione.

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Franz Skarbina | Pittore impressionista

Franz Skarbina (1849-1910) è stato un pittore impressionista Tedesco, disegnatore, incisore ed illustratore.
Nato a Berlino, era figlio di un orafo di Zagabria.
Dal 1865-1869, ha studiato all'Accademia delle arti prussiane.
Dopo la laurea, ha trascorso due anni come tutor alle figlie del conte Friedrich von Perponcher-Sedlnitzky (1821-1909), durante il quale ha viaggiato a Dresda, Vienna, Venezia, Monaco, Norimberga e Merano.


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Franz Skarbina | Pittore impressionista

Franz Skarbina (1849-1910) è stato un pittore impressionista Tedesco, disegnatore, incisore ed illustratore.
Nato a Berlino, era figlio di un orafo di Zagabria.
Dal 1865-1869, ha studiato all'Accademia delle arti prussiane.
Dopo la laurea, ha trascorso due anni come tutor alle figlie del conte Friedrich von Perponcher-Sedlnitzky (1821-1909), durante il quale ha viaggiato a Dresda, Vienna, Venezia, Monaco, Norimberga e Merano.


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Dietz Edzard (1893-1963)

Dietz (Dietrich Hermann) Edzard (1893-1963) was born in Bremen.
From 1911, he studied painting at Max Beckmann in Berlin, and worked in the Netherlands thereafter.
In 1927, he moved to France, and in 1929 the first exhibition of his work took place in Paris at the Jeu de Paume, a museum exclusively devoted to Impressionist masters. He got married to the artist Suzanne Eisendieck (1908-1998) in 1938.
During the Second World War, he was captured in the detention and deportation camp Les Milles.
His works are held by the collections of international art museums, and by American and Canadian private collections.
Guiding themes of his creativity are the circus and the theatre.


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Dietz Edzard (1893-1963)

Dietz (Dietrich Hermann) Edzard (1893-1963) was born in Bremen.
From 1911, he studied painting at Max Beckmann in Berlin, and worked in the Netherlands thereafter.
In 1927, he moved to France, and in 1929 the first exhibition of his work took place in Paris at the Jeu de Paume, a museum exclusively devoted to Impressionist masters. He got married to the artist Suzanne Eisendieck (1908-1998) in 1938.
During the Second World War, he was captured in the detention and deportation camp Les Milles.
His works are held by the collections of international art museums, and by American and Canadian private collections.
Guiding themes of his creativity are the circus and the theatre.


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Luciano Ventrone | Hyperrealist painter

Born in Rome, Luciano Ventrone attended Liceo Artistico in Rome. After graduation in 1946 he started studying Architecture. In 1968 he left the University and focused on painting.

Even though Luciano Ventrone is internationally recognized as one of the master realist painters of his generation, he believes that his works are really about optics:
"Painting is not about the mere representation of an object, but its color and light", he says.
"The subject cannot be seen as it is but as an abstract element".


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Luciano Ventrone | Hyperrealist painter

Born in Rome, Luciano Ventrone attended Liceo Artistico in Rome. After graduation in 1946 he started studying Architecture. In 1968 he left the University and focused on painting.

Even though Luciano Ventrone is internationally recognized as one of the master realist painters of his generation, he believes that his works are really about optics:
"Painting is not about the mere representation of an object, but its color and light", he says.
"The subject cannot be seen as it is but as an abstract element".


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Napoleone Nani | Genre painter

Napoleone Nani (Venice 1841- Verona, 1899) was an Italian painter, active in Venice, where he became professor of the Accademia di Belle Arti.
In 1877 at Naples, he displayed his self-portrait and a canvas titled: La posa; in 1881 at Venice, he displayed: La macchina riposa, il cuore lavora; at the 1883 Promotrice of Florence: Lo studio dal vero; at Rome the same year: Lo studio del nudo and Il primo pensiero ai miei fiori. Successively in Turin, Milan, and Rome, he exhibited: Vizio, Trattative di conciliazione, Giudizio di un intelligente, and Studio.


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Napoleone Nani | Genre painter

Napoleone Nani (Venice 1841- Verona, 1899) was an Italian painter, active in Venice, where he became professor of the Accademia di Belle Arti.
In 1877 at Naples, he displayed his self-portrait and a canvas titled: La posa; in 1881 at Venice, he displayed: La macchina riposa, il cuore lavora; at the 1883 Promotrice of Florence: Lo studio dal vero; at Rome the same year: Lo studio del nudo and Il primo pensiero ai miei fiori. Successively in Turin, Milan, and Rome, he exhibited: Vizio, Trattative di conciliazione, Giudizio di un intelligente, and Studio.


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Cesar Santos

Cesar Santos (born July 10, 1982) is a contemporary Cuban-American artist and portrait painter.
He is better known for his body of work "Syncretism", a term he uses to describe paintings where he presents two or more art tendencies in aesthetic balance.
He has completed numerous commissions and his work is held in private as well as public collections around the world.


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Cesar Santos

Cesar Santos (born July 10, 1982) is a contemporary Cuban-American artist and portrait painter.
He is better known for his body of work "Syncretism", a term he uses to describe paintings where he presents two or more art tendencies in aesthetic balance.
He has completed numerous commissions and his work is held in private as well as public collections around the world.


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Max Liebermann (1847-1935) | Life and Artworks

Max Liebermann (20 July 1847 - 8 February 1935) was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.
The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.
He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876-77.
During the Franco-Prussian War (1870-71), Liebermann served as a medic with the Order of St. John near Metz. After living and working for some time in Munich, he finally returned to Berlin in 1884, where he remained for the rest of his life. He was married in 1884 to Martha Marckwald (1857-1943).


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Max Liebermann (1847-1935) | Life and Artworks

Max Liebermann (20 July 1847 - 8 February 1935) was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.
The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.
He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876-77.
During the Franco-Prussian War (1870-71), Liebermann served as a medic with the Order of St. John near Metz. After living and working for some time in Munich, he finally returned to Berlin in 1884, where he remained for the rest of his life. He was married in 1884 to Martha Marckwald (1857-1943).


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Henry John Stock | Influences, 1905

Henry John Stock (1853-1930) is one of those minor but highly individual artists who are among the glories of the English Romantic tradition.
Born in Greek Street, Soho, in 1853, he went blind in childhood but recovered his sight on being sent to live at Beaulieu in the New Forest.
He studied at the St. Martin's School of Art and the Royal Academy Schools, and is said to have been encouraged by the engraver W.J. Linton, who took him to Italy. (It seems unlikely that this was before 1866, when Linton settled in America, since Stock would only have been thirteen at the time.


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Henry John Stock | Influences, 1905

Henry John Stock (1853-1930) is one of those minor but highly individual artists who are among the glories of the English Romantic tradition.
Born in Greek Street, Soho, in 1853, he went blind in childhood but recovered his sight on being sent to live at Beaulieu in the New Forest.
He studied at the St. Martin's School of Art and the Royal Academy Schools, and is said to have been encouraged by the engraver W.J. Linton, who took him to Italy. (It seems unlikely that this was before 1866, when Linton settled in America, since Stock would only have been thirteen at the time.


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Eugeniusz Żak | Pittore Post-Impressionista

Eugeniusz Zak (1884-1926) è stato un pittore Polacco.
All'inizio Zak espresse il suo temperamento artistico attraverso un sofisticato uso della linea, facendo riferimento nei suoi ritratti a sanguigna alle opere di Leonardo, Botticelli, Hans Holbein il giovane e Dürer.
Poi, nella prima fase della sua carriera, si accostò allo stile dei Nabis, mediante l'elaborazione di superfici piatte, circoscritte in modo sfumato, senza contorni precisi e dai colori leggermente opachi.


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Eugeniusz Żak | Pittore Post-Impressionista

Eugeniusz Zak (1884-1926) è stato un pittore Polacco.
All'inizio Zak espresse il suo temperamento artistico attraverso un sofisticato uso della linea, facendo riferimento nei suoi ritratti a sanguigna alle opere di Leonardo, Botticelli, Hans Holbein il giovane e Dürer.
Poi, nella prima fase della sua carriera, si accostò allo stile dei Nabis, mediante l'elaborazione di superfici piatte, circoscritte in modo sfumato, senza contorni precisi e dai colori leggermente opachi.