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Louis Picard (1861-1940) | The kiss

Louis Picard was a French Symbolist painter of the end of the 19th.
The elder brother of Georges Picard, Louis Picard studied in Paris with Gérôme at the École des Beaux-Arts.
He exhibited in Paris at the Salon des Artistes Français from 1882 and was awarded a commendation in 1887.
He received a silver medal and the Légion d'Honneur during the Exposition Universelle of 1900, and a silver medal in 1890 at the Société Nationale des Beaux-Arts.


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Louis Picard (1861-1940) | The kiss

Louis Picard was a French Symbolist painter of the end of the 19th.
The elder brother of Georges Picard, Louis Picard studied in Paris with Gérôme at the École des Beaux-Arts.
He exhibited in Paris at the Salon des Artistes Français from 1882 and was awarded a commendation in 1887.
He received a silver medal and the Légion d'Honneur during the Exposition Universelle of 1900, and a silver medal in 1890 at the Société Nationale des Beaux-Arts.


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Claude Fossoux, 1946 | Impressionist painter


Claude Fossoux was born in Paris of a Savoyard father and a Parisian mother. After school, Claude obtained a grant to study at the Ecole Nationale Superieure Des Beaux Arts in Paris where he stayed for four years. During that time, he attended the studio of Chapelin-Midy and Pierre Caron. He was greatly influenced by the Impressionists🎨, particularly Sisley🎨, Pissarro🎨 and Renoir🎨.

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Claude Fossoux, 1946 | Impressionist painter


Claude Fossoux was born in Paris of a Savoyard father and a Parisian mother. After school, Claude obtained a grant to study at the Ecole Nationale Superieure Des Beaux Arts in Paris where he stayed for four years. During that time, he attended the studio of Chapelin-Midy and Pierre Caron. He was greatly influenced by the Impressionists🎨, particularly Sisley🎨, Pissarro🎨 and Renoir🎨.

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Georges Picard | Romance under the blossom tree


Georges Gabriel Picard (1857-1946), dit Georges Picard was a French painter and illustrator.
He studied under Jean-Léon Gérôme and was also the protégé of the artist Albert Besnard.
For many years, he exhibited at the Societe Nationale des Beaux Arts and was also its Treasurer.
Picard was commissioned to paint murals for the Casino at Monte Carlo, the French Embassy at Vienna, the Petit-Palais in Paris and most important of all, the Hotel de Ville in Paris.

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Georges Picard | Romance under the blossom tree


Georges Gabriel Picard (1857-1946), dit Georges Picard was a French painter and illustrator.
He studied under Jean-Léon Gérôme and was also the protégé of the artist Albert Besnard.
For many years, he exhibited at the Societe Nationale des Beaux Arts and was also its Treasurer.
Picard was commissioned to paint murals for the Casino at Monte Carlo, the French Embassy at Vienna, the Petit-Palais in Paris and most important of all, the Hotel de Ville in Paris.

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Award Winning Artists | Sitemap


List of Award Winning Artists who became famous for their unique artistic style, published from the Tutt'Art@. On our website You will find biographies, information and their most important works.


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Award Winning Artists | Sitemap


List of Award Winning Artists who became famous for their unique artistic style, published from the Tutt'Art@. On our website You will find biographies, information and their most important works.


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Jean Raoux (1677-1734)

Jean Raoux è stato un pittore e disegnatore Francese, vincitore del Prix de Rome e membro dell'Accademia reale di pittura e scultura.
Iniziò la sua carriera artistica a Montpellier, dove fu allievo di Jean Ranc o di Antoine Ranc: è del 1699 la sua prima opera datata e firmata, mentre nel 1701 dipinse Arianna a Naxos (Museo di Montpellier).


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Jean Raoux (1677-1734)

Jean Raoux è stato un pittore e disegnatore Francese, vincitore del Prix de Rome e membro dell'Accademia reale di pittura e scultura.
Iniziò la sua carriera artistica a Montpellier, dove fu allievo di Jean Ranc o di Antoine Ranc: è del 1699 la sua prima opera datata e firmata, mentre nel 1701 dipinse Arianna a Naxos (Museo di Montpellier).


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Bernardo Keilhau detto Monsù Bernardo

Eberhard Keil (Helsingør, 1624 - Roma, 3 febbraio 1687) o semplicemente Keil fu un pittore Danese, forse il più celebre pittore antico di questa nazione, venne conosciuto in Italia con lo pseudonimo di Monsù Bernardo, giunse nei Paesi Bassi diciottenne e fu nella bottega di Rembrandt ad Amsterdam, dove soggiornò tra il 1642-1644 anche se il suo primo maestro fu il danese Morten van Steenwinkel nella cui bottega venne messo dal padre all'età di dodici anni.


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Bernardo Keilhau detto Monsù Bernardo

Eberhard Keil (Helsingør, 1624 - Roma, 3 febbraio 1687) o semplicemente Keil fu un pittore Danese, forse il più celebre pittore antico di questa nazione, venne conosciuto in Italia con lo pseudonimo di Monsù Bernardo, giunse nei Paesi Bassi diciottenne e fu nella bottega di Rembrandt ad Amsterdam, dove soggiornò tra il 1642-1644 anche se il suo primo maestro fu il danese Morten van Steenwinkel nella cui bottega venne messo dal padre all'età di dodici anni.


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Canaletto | The Molo Seen from the San Marco Basin, 1730

Canaletto | The Molo Seen from the San Marco Basin, 1730 | Louvre Museum, Paris

Canaletto (1697-1768)🎨 painted some ten versions of this subject, the most similar to this one being in the Uffizi in Florence.
The prototype for the series can be dated to around 1730.
Beginning in the 15th century, and especially in the 18th century, Venetian painters delighted in depicting parts of their city in exact detail.
The Rome-trained painter Luca Carlevaris (1663-1730) adopted the tradition in Venice and handed it on to his apprentice Antonio Canal, who combined it with experience gained from his father, a theatre set designer.

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Canaletto | The Molo Seen from the San Marco Basin, 1730

Canaletto | The Molo Seen from the San Marco Basin, 1730 | Louvre Museum, Paris

Canaletto (1697-1768)🎨 painted some ten versions of this subject, the most similar to this one being in the Uffizi in Florence.
The prototype for the series can be dated to around 1730.
Beginning in the 15th century, and especially in the 18th century, Venetian painters delighted in depicting parts of their city in exact detail.
The Rome-trained painter Luca Carlevaris (1663-1730) adopted the tradition in Venice and handed it on to his apprentice Antonio Canal, who combined it with experience gained from his father, a theatre set designer.

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Italian Artists | Sitemap

Telemaco Signorini | Bapin de Lilela, 1895

This list contains the Italian Artists: Painters, Sculptors, Writers, Poets and Musicians published on our website.


Marco De Gregorio (1829-1876) | School of Resina
Federico Rossano (1835-1912) | School of Resina
Vincenzo Cabianca (1827-1902) Macchiaioli painter
Francesco Petrarca (1304-1374) | Quotes

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Italian Artists | Sitemap

Telemaco Signorini | Bapin de Lilela, 1895

This list contains the Italian Artists: Painters, Sculptors, Writers, Poets and Musicians published on our website.


Marco De Gregorio (1829-1876) | School of Resina
Federico Rossano (1835-1912) | School of Resina
Vincenzo Cabianca (1827-1902) Macchiaioli painter
Francesco Petrarca (1304-1374) | Quotes

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Auguste Rodin | Fugitive Love, 1886

This small group which originally featured in La Porte de l'Enfer (The Gates of Hell) commissioned in 1880, was the biggest project of Rodin's life.
The sculptor chose to illustrate Dante's L'Enfer (Inferno), populated by the tortured souls of the damned.
He worked on it for at least twenty years without ever finishing it.
This monumental work of one hundred and eighty six figures was, for Rodin, an opportunity to create a ‘reservoir' from which he would draw for future compositions.

Auguste Rodin | Fugit Amor, 1886 | Musée d'Orsay, Paris

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Auguste Rodin | Fugitive Love, 1886

This small group which originally featured in La Porte de l'Enfer (The Gates of Hell) commissioned in 1880, was the biggest project of Rodin's life.
The sculptor chose to illustrate Dante's L'Enfer (Inferno), populated by the tortured souls of the damned.
He worked on it for at least twenty years without ever finishing it.
This monumental work of one hundred and eighty six figures was, for Rodin, an opportunity to create a ‘reservoir' from which he would draw for future compositions.

Auguste Rodin | Fugit Amor, 1886 | Musée d'Orsay, Paris